11.5%
Last weekend I organised a wine tasting of a different type for my colleagues. I had particularly high hopes that one of the wines would shine, a Riesling from Rheingau winemaking wizard Peter Jakob Kühn. In the past, I have had some truly stunning wines from Kühn, and I had heard good things about his work with the difficult 2010 vintage. At the tasting though the biodynamic Riesling was overshadowed - in being controversial by a Franconian Silvaner and in receiving general praise by an Austrian Grüner Veltliner.
Not that the Riesling was bad, mind you, but in its leanness it was a little more quiet than I had hoped for. When we divided up the spoils of the night, I grabbed a half full bottle and took it home with me to inquire further.
You will be dismayed to hear it, but sometimes, we drink and enjoy a bottle of wine, but the review that is consequently due here at the Wine Rambler is moved a little down-schedule at first and later lost sight of. This is what happened to this bottle of a rather unusual German summer wine. I do feel a little guilty about it now that the leaves are already falling and - oh no, not so soon! - Oktoberfest has started here in Munich. But since it's much nicer to reminisce about summer days gone by and nice Scheurebe from Franken than to face the thought of the vomit-coated subway trains I may have to ride on in the coming two weeks, it is actually good to have kept this one for later.
So Scheurebe, Franken, winery with silly name - speak, notes:
In our quest for interesting wine, we have ventured as far east of Germany as to Georgia, but we never have explored what the German East has to offer. Now it is time to make good on one of our new year's resolutions and try a wine from Saxony. North of the 51st parallel, Sachsen is Europe's north-easternmost wine growing region, and with about 500 ha of vines it is one of Germany's smallest. A fifth of the Saxonian vineyard area belongs to the zur Lippes, one of the oldest aristocratic families of Germany.
aristocratic wine bottle cap
After the wall came down, the current prince zur Lippe, Georg, started buying back his family's property that was lost after the Second World War, and now he runs the largest privately owned winery in the German East. We had tried a few of his wines at tastings in the past, but the dry 2009 Riesling here is the first to undergo the rigorous testing at Wine Rambler HQ.
Among the trusted recommendations you will get when asking for a wine to go with Wiener Schnitzel (breaded veal escalope) and potato salad is Grüner Veltliner, Austria's signature white wine. A little while ago I was browsing the wine selection in one of Munich's more upmarket department stores, looking for a wine to bring to a Schnitzel dinner, when something green got my attention.
Green, with a clean and minimalistic design, the Grüner Veltliner "Green" seemed to promise exactly what I was looking for - a clean, minimalistic but very fresh wine.
Sometimes you have no idea what you are looking at. The other day I pulled a bottle out of a newly arrived cask of wine that I hadn't actually ordered - nor had I heard of the winery before! Turns out that the wine merchant had sneakily squeezed it into the box as a thank you for a good customer. Herr Behringer also asked me for my opinion.
Following the recent debate on neutrality of wine bloggers I should probably add that this is the first wine we have received from Behringer without paying, that he did not ask us for a review and that the wine is not in his portfolio (I wonder if he plans to change that though). Anyway, Mr Behringer, here goes.
Ökonomierat Rebholz is certainly a very Germanic sounding name for a winery. 'Ökonomierat' is an old-fashioned German and (not so old-fashioned) Austrian title of honour that literally means 'economical councillor'. The original Ökonomierat Rebholz, Eduard, received it for his impact on viticulture. Now in the third generation, the Rebholz estate is still dedicated to his idea of 'natural wine', shunning practices such as adding of sugar to increase alcohol content and instead focussing on organic methods. It may be best to forget about all this though as the Muscat in front of you is anything but stuffy Germanic or organically preachy. It is just a highly enjoyable wine.
The Van Volxem estate needs no introduction. The excellent Rieslings made by Roman Niewodniczanski (English speakers are invited to send us recordings of how you pronounce that name) don't require the endorsement of the humble Wine Rambler - although we are happy to give it, for what it is worth. Today though we are looking at an entry level Riesling from VV, the Saar Riesling. A hundred years ago Riesling from the Saar was amongst the most prestigious and expensive wines in the world. How about the 2009 basic Riesling from a winemaker dedicated to restore the Saar to its former glory?
Being about a Litre bottle, the hardest part of this review was, of course, the choice of pun: "Following the litre" is lame, "Take me to your litre" is good, but has already been taken (I can't remember where I've read it). I'll have to come back to you on the puns. First, here's the message: Anyone can make an expensive wine that is at least very good. To make an estate-grown, non-industrial cheap wine that is enjoyable and has character, that's the difficult part. Dr. Heyden has joined the contest for Litre of the Pack (sorry) with his 2008 Silvaner, and we are talking 3,90 € for 1000 ml of it.
East Sussex may not be the first place on earth coming to mind when thinking of sparkling wine. And yet winemaker Will Davenport has had a lot of success with sparkling wines made in the classic champagne style since he started out with 5 acres of vineyards in Kent in 1991. I bought this wine from a wine bar/shop in South London that specialises in English and natural/organic wines - the Davenport sparkler happens to be both. The Limney Estate wine is made from 49% Pinot Noir and 51% Auxerrois and has been aged on lees for over 2 years, which seemed to make it an ideal candidate for a blind tasting against a German sparkler.
One of the less exciting things about living in London is not having a cellar. I sometimes feel a certain envy towards friends on the continent who 'of course' have a cellar and can put age-worthy wines away for a few years or even decades. So whenever I can get my hands on an aged wine I get pretty excited. Quality Riesling, particularly the sweeter ones, can age very well, but if you buy a twenty year old one it is always a gamble. Luckily, I got this one directly from the winery, so I was fairly certain it had been stored properly. Ladies and gentlemen, I present a good ol' boys Riesling from the Moselle:
Lime, peach, mineral, herbs, peach, lime, good acidity - I do actually feel a little sorry for using these words here over and over again. But what can I do, these German Rieslings are just very good at delivering that - and the 2008 dry Riesling from the Emrich-Schönleber winery is no exception. In fact, it is a good example for a dry, crisp and fresh wine of this type that also comes at a reasonable price (especially if you take into consideration that it comes from one of Germany's most prestigious wineries).
When the Wine Rambler committee assembles in Munich, we often send two evenly matched wines into a blind tasting battle. Last weekend was no exception and two formidable contestants were preparing themselves for the main event. To get us in the right mood for this epic battle, a good supporting act was needed. So I brought along a mystery wine. It was pretty obvious that the properly wrapped wine was a rosé, but little did my co-ramblers know that it was from the County of Kent. However, I too was in for a surprise - little did I know that this support-act blind tasting would turn into a triumph for English wine (to be followed by a defeat for German winemaking, but that is another story).
After having tried a few English Bacchus-based wines I was curious to see what I would make of a German representative of this variety (Bacchus was, after all, created in Germany). However, it is not that easy as Bacchus is not very popular in Germany. It is mostly blended into cheaper wines and not really a variety wine connoisseurs think of a lot, which is probably why none of my online wine merchants sell it. So I was pleased when, while visiting Munich and food shopping for a Wine Rambler committee meeting, I came across a Bacchus in a similar price range to the English ones I had tried. Little did I know what disappointment would lie ahead.
An English wine? Yes, very much so. One of the Wine Rambler's wine resolutions for 2010 is to explore the subject of English wine, and report back here. Today, that mission (virtually) leads me to Oxfordshire, specifically to Wallingford, about eight miles from Oxford, where Bob and Carol Nielsen planted 14 acres of wine in 1988. Today, Brightwell Vineyard make five different wines, including a rosé, a red (mostly made from Dornfelder) and a sparkling Chardonnay. They have won several prices for their wines and the 2007 Bacchus was awarded the Silver Medal in the 'Wine of the Year Competition' of the UK Vineyards Association.
One day it will become summer again. And when that happens you will want to drink a wine like this one here - or at least you should. The aptly named 'Sommer Cuvée' ('Sommer' being German for 'summer') is one of the basic wines of the Salwey winery. They make it from 95% Silvaner and 5% Riesling, two grapes the Wine Rambler loves. Together, they produce a light and fresh wine that is just a pleasure to drink.
Oregon is bad. Stop it if you can. Here it comes. Here it comes. Now it's after you. Flee to some place new. Run away. Run away. - For the Wine Rambler it was too late. Oregon got me. And if you want to find out how it all happened and what this has to do do with one half of a team of almost-giants, well, then it got you too. Don't be afraid, though, it will all be revealed. And make sense. Sort of. Either way, there will be wine!
When you see one of the Knipser brothers behind a table at a tasting, good-naturedly chatting with his customers while stoically pouring glasses for the thickening throng, there is nothing to suggest he might be anything more than another ruddy-cheeked wine grower from the Pfalz. And yet, the Knipser estate is arguably germany's most accomplished winery, in that they overachieve so consistently in every category and style - white and red, heavy and light, sweet and dry.
This one is light and dry, and, surprise surprise, perfectly made: Wonderful fresh acidity, clean, fragrant, slightly exotic Riesling fruit (think grapefruit and passion fruit), lean structure, light on the alcohol. Not deeply mineral or complex, but so flawlessly made it's a joy to drink.
It has been a while since I had my last English wine; so far my exploration of local produce has had mixed results, but then I have never systematically looked into English wine. Denbies is an estate that is hard to overlook though, seeing as they are the largest largest single estate vineyard in the UK. Located near Dorking in Surrey, the winery makes a lot of the fact that the North Downs have the same soil-chalk structure as the Champagne. The Surrey Gold, however, that we opened yesterday, is not a sparkling, but rather a "deliciously fragrant off dry wine [that] is rich in fruit and floral aromas with subtle hints of spice and a crisp finish", as the label informs us. It also tells us that the wine is a blend of Müller-Thurgau, Bacchus and Ortega; what it does not mention is the vintage.
Anna looking for colour in the Surrey Gold
People have very different ideas about wine labels, including people in wineries, of course, and that must be a good thing as it creates a certain variety. The artist-designed label of this year's GrüVe is certainly very distinctive, although I cannot say that I like the way in which it overpowers the whole bottle to the point that you see nothing else. But that just is the tradition of the Sonnhof estate's GrüVe label, an entry level Austrian Grüner Veltliner from one of Austria's premier wineries.
Dark straw colour.
A nose of candied lemon and orange peel, with slate minerality and a tiny bit of vegetal roughness.
Candied lemon peel and "slate" are also prominent in the taste, with a hint of bitterness on the finish.
This very enjoyable Riesling from an up-and-coming producer ranges between the the lighter "traditional" mosel off-dry style and the more opulent and creamy "harmonic dry" created by the likes of Reinhard Löwenstein, Van Volxem and Clemens Busch. Not a bad place to be.