red

Sparkling wine is very popular in Germany. Very. As a matter of fact, the Germans consume more than a fifth of the world's production of bubbly. The Wine Rambler is a little less addicted, but we are getting more and more into Sekt, as sparkling wine made in Germany is called. We even made it one of our New Year's resolutions to pay more attention to the world of sparkling wine. This is my first contribution, and it was a most pleasant task.

The sparkling wine in question was made by the Raumland winery. Raumland, based in a village with the wonderful name of Flörsheim-Dalsheim in Rhineland-Palatinate, are specialists for sparkling wine, or 'Sekt' as the Germans call it. So much so that some of Germany's top estates trust Raumland with producing their sparkling wines for them. Raumland are doing such a good job with this that you can find listings of top German sparkling wines that only contain Raumland Sekt or sparklings produced by Raumland (which is not always mentioned on the label).

Recently we reported on a somewhat unusual German wine, a Syrah from the Pfalz. As this wine got a lot of interest, I decided it was time to open a bottle of another, unusual, red wine from the same producer. After having sampled the 2003 Syrah it was time to try the flagship wine of the Knipser winery, the Cuvée X, a blend of Cabernet Sauvignon, Cabernet Franc and Merlot - all grow in Germany, just a few miles left of the Rhine.

It is time again to drink a Salwey wine - this time with Borough Wines and the Winesleuth as part of my mission to spread the word on German wine. Salwey is a producer I really like. Based in the hot South-West of Germany, they specialise in Pinot (Noir, Gris, Blanc), but do also demonstrate that you can make good Riesling and Chardonnay in the hot, volcanic area of the Kaiserstuhl.

This Pinot Noir comes from the Oberrotweiler Käsleberg, a terraced vineyard with loam soil that is said to produce wines that develop quickly and have an elegant note to them. Is this reflected in the Spätburgunder in front of us?

If you ever come across ruddy-cheeked, twinkly-eyed, chatty Hanspeter Ziereisen, do me a big favour: Don't underestimate him. And do yourself another: Try his wines. There has hardly been another Pinot Noir winemaker in Germany who has a more consistent, sharp-edged stylistic vision for the grape, or taken a more principled, self-critical and determined path to realising it. Excepting maybe Bernhard Huber in Malterdingen, we know of no greater francophile in german Pinot than Hanspeter Ziereisen. High time he made his debut on the Wine Rambler.

He grows it...

So we were drinking this German Syrah one night and - Wait, a German Syrah, you say? Yes, that is true - a Syrah from Germany, and a bloody marvellous one too.

Whenever the invitations to those '47 Petrus and '86 Lafite tastings go out, somehow our names seem to get passed over. Shame, but that doesn't stop us from embarking on the adventure that is aged wine from time to time.

Today, an 18 year-old german Pinot Noir. This ol' boy comes in a light, cloudy cherry red with brown edges. If you want to know how great decaying leaves, wet earth, manure, marinated cherries and smoked bacon smell when mixed together, I suggest you stick your nose into this. [read the full post...]

Another venture into Eastern Europe, and into a grape that I like more and more: Cabernet Franc.

Very dark red, a little cloudy (unfiltered, probably), with a purplish edge. Smells of stewed vegetables, beetroot, ripe red peppers, but meaty at the same time. In the mouth, it brings rather hard-edged cassis and tar at first, Cabernet Sauvignon-style, but with more exposure to air, the sweeter and more savoury vegetable flavours take over. While the ripe fruit and oak flavours lean toward the international style, the vegetables give it character and spice. [read the full post...]

Read the background story to this wine here (be warned: It's quite a ramble)

A very dark cherry red in the glass, this brought sweet cherry juice, blackberries and a little fruit jam to our noses. The mouthfeel is, again, dominated by marinated cherries, dried fruit, and a chocolate pudding aftertaste.

It's a measure of the quality of the winemaking that this overripeness does not pull it out of balance, but a gentle tannic backbone wraps up the taste in the end. [read the full post...]

Winter evenings, we are constantly reminded, are the time to open the big reds, bring out the big guns, release the heavy hitters. That may be so, but light, elegant reds that do not clobber the food or the taster are always in season.

From Blauer Portugieser (a red grape once common across Germany, Austria and eastern Europe but now declining), and Schwarzriesling (nothing to do with Riesling, but Pinot Meunier, of blanc-de-noirs champagne fame), Lukas Krauß makes this wonderfully bright cherry-coloured wine, named in honour of his grandfather.

Smells of cherries, almonds and rose petals, a downright fragrant wine.
In the mouth, it brings clean, clear cherry and strawberry fruit, clove, aniseed and a little liquorice in the background. [read the full post...]

If it comes to really powerful red wines, I have come to love what the Spanish do with the Tempranillo varietal. At their best these wines are powerful yet not overpowering, bringing the thunder without forgetting the elegance. Bodegas Aalto is one of the wineries that got a lot of praise over the past few years - which is remarkable seeing as the only got into business around 1998. On the other hand, it may not be so remarkable after all as the people behind Bodegas Aalto are some of the best known Spanish wine professionals: winemaker Mariano Garcia (who came to fame at Ribera del Duero's Vega Sicilia) and Javier Zaccagnini (formerly head of the 'Consejo Regulador', the regulatory body of the Ribera del Duero appellation). With financial backing from investors such as the Sherry company Osborne, they identified and bought vineyards in the Ribera del Duero, some of them with 60 year old Tinto Fino vines (a Tempranillo clone), and started restoring them. The first wine, the 1998 vintage, was not as good as hoped and was never commercialised, but the later vintages put the winery into the premier league of Spanish winemakers.

Very dark, blackish colour.

Great smell: Cassis, plums, cherry jam, tar and candied sugar.

Seems to go through two phases in the mouth, with nice sour cherry fruit, fresh acidity and coal at first, followed by subtle oak, vanilla, smoke and ash.

This more than convincing Bordeaux takes its stand between the traditional and the more accessible "international" style and actually gains complexity and tension from that. We (Mr. and Mrs. Munich Wine Rambler with two nice guests) really enjoyed this one, because it seemed to appeal to the snob as well as to the occasional drinker, without being a bland compromise.

Deep, but transparent cherry red, going brown around the edge.
Wonderful mature pinot smell, wet forest floor, plum juice, quite dense and so seductive.
Dense, but also transparent fruit, salty mineral flavours, noticeable, but by now perfectly integrated oak. It ends like a great lunch, with chocolate and coffee notes.
Excellent, a real pleasure to smell and drink.

This was my second-to-last bottle, and I didn't enjoy the previous ones nearly as much. Maybe my palate is adjusting more and more to the lighter, more elegant style of Spätburgunder (possible), or else this wine has just reached the drinking age that brings out its very best (also possible, four to six years being generally a good age to drink the better german pinots at, in my humble experience).

Here I am, drinking a wine from the end of the world. This is both true in geographic terms, seeing as the wine is from Patagonia, and it is also true as the winery is called 'Winery from the end of the world" (Bodega del Fin del Mundo). This Bodega is a fairly new venture, about ten years old, and they grow a variety of red and white varietals on 870 hectars of land. As this part of Patagonia is fairly dry, the vineyards need a computer controlled irrigation system - the water comes from 20 kilometres away and a complete water channel system had to be built for the irrigation. This apparently took two years, and the first vineyards were planted in 1999 - protected from the wind by a complex system of windbreakers. Scared away by all that technology? [read the full post...]

When you have a Bordeaux style French red in your glass and it is actually German, it could very well be Thomas Seeger's Cuvée Anna. I opened a bottle Friday night for a group of friends without telling them what it was and the guesses ranged from Argentinian Cabernet to Syrah or French Malbec. In fact, Cuvée Anna is a blend of Pinot Noir, Schwarzriesling and Lemberger. Lemberger is a grape varietal also know as Blaufränkisch (especially in Austria), and is know to create wines with sometimes spicy dark berry flavour, some tannins and good acidity - 'Anna' has all of the above. Schwarzriesling, literarly Darkriesling, is also known as Pinot meunier and is interestingly used in the production of Champagne (although Pinot Noir is much better known in this respect). [read the full post...]

A fairly dark Pinot Noir, the 07 Vitus has a seriously dry nose: smoky, toasted oak, a little yeast and a little cherry fruit - more serious than playful, I would say. The wine is also not very fruity on the tongue, where leather and a hint of pepper are added to the mix. It does not feel heavy though, partly due to its fresh acidity. The finish is good, marinated cherries, acidity and tannins, but reasonably smooth, and a bit of woodland aroma with the tiniest hint of chocolate. [read the full post...]