Riesling

Mosel Riesling, the embodiment of German wine - at least in foreign perception. Readers of the Wine Rambler will not have to be told that there is so much more to German wine than Mosel Riesling. Still, every so often reminding everyone of the fantastic wines that come out of this area cannot hurt. One of our favourite producers at the Mosel is Markus Molitor (who also makes fantastic Pinot Noir). And one of the best Molitor wines I have had is, no, it is not one of the prestigious Auslese or Trockenbeerenauslese wines, it is a 'Qualitätswein'. These quality wines are somewhere in the middle of the German classification system - but don't let these bureaucratic details fool you. You are looking at pure awesome, and at amazing value too.

You have never heard the name 'Scharzhofberg' before? Well, take a pen (or a keyboard) and write it down. Scharzhofberg is the name of a German vineyard, located near the Saar river (close to the Mosel). There are of course many vineyards in Germany, but Scharzhofberg has an excellent reputation and may be one of the most expensive bits of real estate in German winemaking - if you could buy land there, as producers jealously guard every square meter they own. Land rarely changes hands there, but the Van Volxem estate is lucky enough to own a small part of the 28 hectare vineyard. So let's have a look at what they can do with it, shall we?

It may not be a polite subject, but there's no dancing around the issue: Deep-dyed mosel Rieslings from slate soils can give off a bit of an odour. You expect a bit of a mosel funk, you appreciate a bit of a mosel funk, yet in my humble mosel experience so far, here's the undisputed sultan of stink: Andreas Adams's Kabinett gives you your petrol spill, your car dealership, but throw in used motor oil, a sulphur spring and some rotten eggs, and you're getting closer. Very distinctive, if you like this kind of thing. And I certainly do. Beneath the stink, or maybe it's better to stay borne on the stink, are ripe apricots, deep stony minerality and a whiff of caramel. The fruit is really subdued at this stage of early maturity, the acidity is not much of a presence either, and it's really the hard-core slate minerality that is the blood and bones of this ultra-trad Kabinett.

Germans love dry wine - this still comes as surprise to many foreigners who think of Germany as country of sweet wine. Actually, almost two thirds of all wine produced in Germany is dry. On top of that the VdP, the association of top producers, are currently pushing for a new top category in the wine classification system that applies to dry wine only. This is where the label 'GG', short for 'Großes Gewächs' (literally 'great growth') of today's Riesling from Baden comes from.
In order to be classified as GG, a wine has to come from a certified top vineyard, yields have to be low, only grape varieties that have some tradition in the region can be used, grapes have to be harvested selectively by hand and the wine has to have the same quality level as a late vintage. And, of course, the producer has to be a member of VdP. The Baden winemaker family Salwey are, and this is their 2008 GG Riesling.

The 'Haart' in the Riesling with the funny name 'Haart to Heart' is not a spelling mistake. In fact, it comes from the Haart winery, who make some of our favourite sweet Mosel Riesling. It also seems they like a good pun, at least if it comes to labelling their basic Riesling. The 'Heart to Haart' is the only Haart wine that comes with a screw cap and without the 'eagle logo' of the VdP, the elite club of German wine makers, that is proudly displayed on all other Haart bottles. This is because in some years at least part of the grapes for the Haart to Heart are sourced from other growers, but this does not appear to have been the case for a while now. So, as far as the Haart winery is concerned it does not get more basic than this. How basic is basic?

Schäfer-Fröhlich (literally Shepherd-Cheerful) is the name of a very well respected, family-owned winery in the Nahe region. Despite a recent increase in red wine production, the Nahe is still mostly a white wine region, with Riesling being the most popular variety. The same is true for Schäfer-Fröhlich, a Riesling-focussed winery that over the past few years got a lot of good press. For instance, they were awarded the title of 'winery of the year 2010' by wine guide Gault Millau, they won the #1 Riesling trophy from Vinum wine magazine for 2009 and food magazine Feinschmecker crowned one of their 2008 Rieslings as the best dry Riesling in all of Germany. So you can imagine I was really looking forward to trying a Schäfer-Fröhlich, even if it was only one of their basic wines. Sadly, it did not quite live up to my expectations.

When you put your nose into a glass of wine and it smells a little bit like a car dealership, but in a good way, you can be fairly certain that you have a Riesling in front of you. This Haart Riesling from the Mosel is not one of the petrol noses, so please don't think of a garage wit lots of oil and grease, but its bouquet has a little of the more refined version of that smell, just think of a BMW car dealership salesroom. Or rather walking through one while eating a peach.

After all those German and Austrian Rieslings, we are now going Australia. Clearly, the Wine Rambler is no nationalist. What could be more Australian, apart from Paul 'Crocodile Dundee' Hogan perhaps, than a Riesling from Adelaide Hills? Well, actually, it is sort of German too - at least the winemaker is (no one would have guess from the name 'Egon Müller').

If it comes to the Salwey winery, we have so far mostly sampled their range of excellent Pinots - Noir, Gris/Grigio and Blanc. Located in the warmest area of Germany, the volcanic Kaiserstuhl in the South West, the Salwey vineyards are very well suited for growing Pinot. As it turns out, they also make good Riesling there, and I had one of them recently with a nice piece of fish and English asparagus.

Karthäuserhofberg. Nothing demonstrates the place vineyards occupy in german wine culture like wineries that are synonymous with the vineyards that surround them. This must put some pressure on the staff, must it not? If you work at a place called Karthäuserhof and produce wine from a site that has been called Karthäuserhofberg from time out of mind, you better not screw it up. Not to worry. They never do.

Recently, I found myself drinking with friends who were discussing which type of vegetable they would like to be. When I asked them how they would rate me, Charlotte suggested I could be a squash. Unfortunately I never really found out why she classified me in this way, partly because she went on to say she would quite like to be a courgette. Today's wine, luckily, is not like a vegetable. Instead it is very easy to describe in terms of fruit: take the most deliciously juicy peach you can imagine, add passion fruit, and caramelise it with lots of sugar and some gold, sprinkle finely with herbs and serve in a stony cup with a dash of menthol, spice and lemon juice. As you can see this description really does not work in relation to vegetables, but I can tell you that if this wine were a human being it would have to be the young Liv Tyler - just in blond.

One of the less exciting things about living in London is not having a cellar. I sometimes feel a certain envy towards friends on the continent who 'of course' have a cellar and can put age-worthy wines away for a few years or even decades. So whenever I can get my hands on an aged wine I get pretty excited. Quality Riesling, particularly the sweeter ones, can age very well, but if you buy a twenty year old one it is always a gamble. Luckily, I got this one directly from the winery, so I was fairly certain it had been stored properly. Ladies and gentlemen, I present a good ol' boys Riesling from the Moselle:

Lime, peach, mineral, herbs, peach, lime, good acidity - I do actually feel a little sorry for using these words here over and over again. But what can I do, these German Rieslings are just very good at delivering that - and the 2008 dry Riesling from the Emrich-Schönleber winery is no exception. In fact, it is a good example for a dry, crisp and fresh wine of this type that also comes at a reasonable price (especially if you take into consideration that it comes from one of Germany's most prestigious wineries).

Both my co-Rambler and I recently came to the conclusion that we had somewhat neglected Austria - a country that makes some truly outstanding wines. So Julian went off to have an afternoon of Austrian wine, during which he was particularly impressed with a Riesling made by the Prager winery. At about the same time I found myself talking Prager with Damian from Fields Morris & Verdin on Twitter. As I had never tried a Prager Riesling, Damian kindly provided me with a tasting sample, the 2006 Steinriegl Smaragd - a Riesling that is more than just a reminder of how good Austrian wine can be.

The Haart winery is a Wine Rambler regular, constantly winning our praise for their elegant and sophisticated sweet Riesling. However, they are also producing a small quantity of dry Riesling, of which we so far shockingly have only reviewed one. This is to change today.

A simple way of describing the bouquet of the Haart Riesling would be to say that it features stone fruit, lemon, mineral, yeast and a hint of vegetable and tobacco. A much better way of describing it would be to ask you to imagine finding an old tobacco chest in a cool, somewhat damp, loamy cave. The bottom layer of the chest would be covered with ground stone and earth, generously sprinkled with lemon juice and pieces of stone fruit - and all of that covered with a wet, mineral heavy ball of cotton wool soaked in yeast.

Gunter Künstler certainly has a reputation for making outstanding Riesling. Many of his vineyards in the Rheingau are planted with old vines (think 50 years plus), or 'Alte Reben', as the Germans say. The Stielweg vineyard, where today's dry Riesling comes from, features loam-clay soil; the name comes from 'steep path', or 'steiler Weg'. The website sums the vineyard up as: 'The wine from these 50 year old Stielweg vines radiates aristocratic strength and nobility.' So what do we think?

In the heat of taking the picture I actually forgot to pour some wine in the glass...

A few months ago I was browsing the web store of one of the Wine Rambler's favourite German wine merchants (Behringer). While going through the Pfalz selection, I came across a dry Riesling that despite having been rated at 90/100 by the German wine guide Gault Millau still sold at only €8. As I needed to resupply on dry 'everyday' Riesling anyway, I ordered a bottle to find out what the fuzz was all about.

On a glorious, sunny day (or, in this case, quite a few hours after the sun went down after such a day), not much beats a glorious, sunny Riesling, in particular if it is so very quaffable and yet elegant as this one. Yes, I am again drinking one of the fruity Rieslings made by Theo Haart, this time a lighter wine in 'Kabinett' style.

May the day never come when streamlined wine marketing gets rid of the german custom of labelling wines by place of origin and vineyard name. Yes, those make for clumsy label design. Yes, they are phonetically intimidating to non-german speakers. But here's their great glory: The best of them already say everything that can be said about a wine more evocatively than anything a wine marketing agency could dream up. Take "Frühlingsplätzchen", a well-known vineyard of Monzingen, in the Nahe region. This could be translated either as "the little springtime place in Monzingen", or as "the Monzingen springtime biscuit". Isn't that wonderful?

Frühlingsplätzchen - kind of. Courtesy of verygoodfood.dk