marvellous

East Sussex may not be the first place on earth coming to mind when thinking of sparkling wine. And yet winemaker Will Davenport has had a lot of success with sparkling wines made in the classic champagne style since he started out with 5 acres of vineyards in Kent in 1991. I bought this wine from a wine bar/shop in South London that specialises in English and natural/organic wines - the Davenport sparkler happens to be both. The Limney Estate wine is made from 49% Pinot Noir and 51% Auxerrois and has been aged on lees for over 2 years, which seemed to make it an ideal candidate for a blind tasting against a German sparkler. [read the full post...]

If you are one of those thinking of German Pinot Noir as very light wine, pale in colour and neither substantial nor worth ageing then have a look at the wine below. And if you do not think about German red wine at all, well, then do the same. The two Wine Ramblers, at any rate, did also spend some time looking in amazement at the incredibly rich colour of the ten year old Spätburgunder that they had opened last weekend to celebrate one year of The Wine Rambler. Join us in the merriment:

Karthäuserhofberg. Nothing demonstrates the place vineyards occupy in german wine culture like wineries that are synonymous with the vineyards that surround them. This must put some pressure on the staff, must it not? If you work at a place called Karthäuserhof and produce wine from a site that has been called Karthäuserhofberg from time out of mind, you better not screw it up. Not to worry. They never do.

One of the less exciting things about living in London is not having a cellar. I sometimes feel a certain envy towards friends on the continent who 'of course' have a cellar and can put age-worthy wines away for a few years or even decades. So whenever I can get my hands on an aged wine I get pretty excited. Quality Riesling, particularly the sweeter ones, can age very well, but if you buy a twenty year old one it is always a gamble. Luckily, I got this one directly from the winery, so I was fairly certain it had been stored properly. Ladies and gentlemen, I present a good ol' boys Riesling from the Moselle:

Before we give this unexpectedly gorgeous rosé from - get this - Württemberg its due, a word about its grape variety: Muskattrollinger is a cross between - you'd never have guessed it - Trollinger and Muscat that has been grown in Württemberg since the mid 19th century. Trollinger is the signature grape of Württemberg and usually produces very light, unremarkeably fruity reds - usually. Muscat is well known and adds its trademark floral explosiveness to the genetic mix.

And what a mix it is: It starts with an appetising salmon-copper-colour. It has red and white currants (yeah, get the white currants), gooseberry, elderberry and orange in its smell, and great fresh acidity and intensive spicy and floral fruit flavours in its taste. Wonderfully light on the alcohol as well. We are not known as the world's greatest rosé advocates here at the Wine Rambler, but you simply need to call a killer wine a killer wine.

Mmmmh. Could I get a refill, please?

The Haart winery is a Wine Rambler regular, constantly winning our praise for their elegant and sophisticated sweet Riesling. However, they are also producing a small quantity of dry Riesling, of which we so far shockingly have only reviewed one. This is to change today.

A simple way of describing the bouquet of the Haart Riesling would be to say that it features stone fruit, lemon, mineral, yeast and a hint of vegetable and tobacco. A much better way of describing it would be to ask you to imagine finding an old tobacco chest in a cool, somewhat damp, loamy cave. The bottom layer of the chest would be covered with ground stone and earth, generously sprinkled with lemon juice and pieces of stone fruit - and all of that covered with a wet, mineral heavy ball of cotton wool soaked in yeast.

If you ask me to name a winemaker who has really impressed me with consistently, year for year letting the quality (let's avoid the word terroir here, shall we) of an outstanding vineyard shine, well, then I would probably name Theo Haart. Sure, there are others, but I have now tasted his late vintage Rieslings from the famous Piesporter Goldtröpfchen for the vintages 1999 and 2001-2008 (the 05 though is still sitting here, waiting for its day), and not only are they all first class wines, they are also very distinct and consistent in style. The '08 is no exception and, boring as it may sound when I write about Haart late vintage Riesling, just a lovely wine.

Tasted blind, and very subjectively, here. [read the full post...]

It has been a while, way too long, actually, since I reported on a wine made by the lovely people from the Haart winery. The winery is based in the village of Piesport, a name that is infamous in the UK for cheap wine, but famous among wine lovers for the Goldtröpfchen (little drop of gold) vineyard, one of the best at the Mosel. The Haart family has been making wine since the 14th century and the sweet Rieslings of Theo Haart, who runs the family estate with his wife and son, have an excellent reputation. For me they are also the embodiment of what I love about the Mosel style of winemaking.

Whenever the invitations to those '47 Petrus and '86 Lafite tastings go out, somehow our names seem to get passed over. Shame, but that doesn't stop us from embarking on the adventure that is aged wine from time to time.

Today, an 18 year-old german Pinot Noir. This ol' boy comes in a light, cloudy cherry red with brown edges. If you want to know how great decaying leaves, wet earth, manure, marinated cherries and smoked bacon smell when mixed together, I suggest you stick your nose into this. [read the full post...]

It was New Year's Eve and the Wine Rambler committee had assembled in Munich to drink some god-damn wine. And what could be better to conclude an evening of feasting and drinking with friends than one of the elegant, sweet Mosel Rieslings that Theo Haart turns out year after year? To celebrate the end of 2009 it had to be something special, an 'Auslese' ('selection', one of the highest ratings in the often confusing and not always meaningful German wine classification system). Made by a good winery and stored well these wines can last for decades, so a 2006 Auslese can almost be seen as a young wine when drunk at the end of 2009. Or as darn tasty, at any time. [read the full post...]

If it comes to really powerful red wines, I have come to love what the Spanish do with the Tempranillo varietal. At their best these wines are powerful yet not overpowering, bringing the thunder without forgetting the elegance. Bodegas Aalto is one of the wineries that got a lot of praise over the past few years - which is remarkable seeing as the only got into business around 1998. On the other hand, it may not be so remarkable after all as the people behind Bodegas Aalto are some of the best known Spanish wine professionals: winemaker Mariano Garcia (who came to fame at Ribera del Duero's Vega Sicilia) and Javier Zaccagnini (formerly head of the 'Consejo Regulador', the regulatory body of the Ribera del Duero appellation). With financial backing from investors such as the Sherry company Osborne, they identified and bought vineyards in the Ribera del Duero, some of them with 60 year old Tinto Fino vines (a Tempranillo clone), and started restoring them. The first wine, the 1998 vintage, was not as good as hoped and was never commercialised, but the later vintages put the winery into the premier league of Spanish winemakers.

Very dark, blackish colour.

Great smell: Cassis, plums, cherry jam, tar and candied sugar.

Seems to go through two phases in the mouth, with nice sour cherry fruit, fresh acidity and coal at first, followed by subtle oak, vanilla, smoke and ash.

This more than convincing Bordeaux takes its stand between the traditional and the more accessible "international" style and actually gains complexity and tension from that. We (Mr. and Mrs. Munich Wine Rambler with two nice guests) really enjoyed this one, because it seemed to appeal to the snob as well as to the occasional drinker, without being a bland compromise.

Deep, but transparent cherry red, going brown around the edge.
Wonderful mature pinot smell, wet forest floor, plum juice, quite dense and so seductive.
Dense, but also transparent fruit, salty mineral flavours, noticeable, but by now perfectly integrated oak. It ends like a great lunch, with chocolate and coffee notes.
Excellent, a real pleasure to smell and drink.

This was my second-to-last bottle, and I didn't enjoy the previous ones nearly as much. Maybe my palate is adjusting more and more to the lighter, more elegant style of Spätburgunder (possible), or else this wine has just reached the drinking age that brings out its very best (also possible, four to six years being generally a good age to drink the better german pinots at, in my humble experience).

Some wines are waiting for a special occasion. My Pinot Noir "R" from the Molitor winery had been waiting almost ten years for its time to come (although most of it in the cellars of the Molitor estate at the Moselle) - until a friend invited me to Oxfordshire for an autumn Sunday in the countryside, including a braised duck. So off I went, and the Pinot Noir from the Moselle came with me. And boy was it worth the wait (although I am not sure if the wine really cared as much about it as we did).
Traditionally, the Moselle - or Mosel, as the German call it - is known as the home of the German Riesling, especially the lighter, fruitier and sweeter Riesling that regularly wins high ratings in international wine challenges. However, since the 1980s or so, red wine has slowly made its return. Molitor started planting Pinot Noir about 20 years ago and has received a lot of praise for his Spätburgunder, also from the Wine Rambler. This is not only the oldest Molitor wine for us to review so far, but also the oldest Pinot Noir.

I bought the 1999 Spätburgunder "R" last year when we visited the Molitor estate for a tasting. We had no chance to the sample the "R", but I was curious to find out how well the Molitor reds would age, so I bought a bottle. That was a mistake - I should at least have gotten two. Or three.

The colour first: red, of course, but a magnificent light red bordering on brown, almost like a fortified wine. The nose reminds a little of a light sherry too, age and sophistication, and marinated cherries, with a certain earthiness.