A highly recommended, reasonably priced Riesling with Art Nouveau/Jugendstil label and named after the world's most famous intelligence agency - I pressed "add to shopping cart" before my brain had even processed this properly. You may not know this, but I am intrigued by the world of espionage, I like cheap puns and I have the marvellous ability to misread pretty much everything to make me giggle. So it took my brain another second after I had added the wine to my latest delivery to realise that (while the label really does feature angels with a Riesling gun!) there is no German humour reference to the CIA here.
Instead we are looking at the estate Riesling of one of the world's oldest wineries, and CAI stands for Carl August Immich. Please don't be disappointed, after all we are speaking about a man who blew up a mountain in order to make good Riesling.
Following Julian's recent debacle with a Württemberg Riesling I felt our shocked and terrified readership is in need of comfort and reassurance. Will the Wine Rambler now drink Liebfraumilch only? Has German Riesling failed? Will Modern Talking re-unite? The world may indeed be doomed, I won't dare speculate what Dieter Bohlen might do, but I can assure you that German Riesling has not gone bad.
And to give us some comfort after the shocking events of last episode, here is a classic: Riesling Auslese from the Mosel.
If it isn't overly original of a German wine blog to bring you another Riesling review, then this one is at least as close to the heart of this whole enterprise as you're ever going to get. We bring you what is, despite our previous coverage, arguably the best unknown Riesling producer anywhere: Weinhof Herrenberg, the jewel of the river Saar. Please also note this outstanding micro-winery's fondness for bad puns. In Claudia and Manfred Loch, we salute two kindred souls.
And we duly salute this 2008 offering:
Sometimes Burgundy is not in France. Well, technically it might still be in France, for all I know, but metaphysically speaking I believe Burgundy is also a state of wine that can travel - and like the holy spirit of wine it can come down elsewhere and turn red wine into true Pinot Noir. Some of you heathens will now think of Oregon, New Zealand or California, but I have seen it happen in one of the more unlikely places on earth: the cool climate Mosel.
Yes, the Mosel makes Pinot Noir that can rival Burgundy. There may not be much of it, but I think of one man in particular, driven by faith in his vines: Markus Molitor.
When touring the Mosel in 2008, we visited, amongst other places, a village called Leiwen. It was chosen for very practical reasons, as the wide and comfortable cycle paths along the river lead right past it, but more importantly for bacchanal reasons as it is the home of the St. Urbans-Hof winery. Small by New World standards, the 33ha vineyard area owned by the Weis family actually make the estate one of giants of the Mosel/Saar region and they include sections of several prestigious vineyards.
One of them is the Bockstein, near the village of Ockfen at the Saar river. There was no time to visit Ockfen in 2008, and until that can be remedied I will have to make due with enjoying the odd bottle of Ockfener Bockstein Riesling.
Of all the longer and shorter wine tours and winery visits I have undertaken the 2008 trip to the Mosel is the one I have the fondest memories of. Not only was it part of a longer holiday and involved the full Wine Rambler committee, I also had the chance to meet some of my favourite winemakers and cycle along the fantastic Mosel cycle paths. And it was asparagus season - easy access to white asparagus is probably where London is weakest on the food supply front.
Among the wineries we visited was Reuscher-Haart, one of several branches of the Haart family living in the famous wine village Piesport. The last wine left from that visit is (or was) this 2006 late harvest Riesling.
My fellow Wine Rambler Torsten has instructed me to stick to this blog's core concern, which is German wine, and also to be on my general best behaviour, because a few more winemakers, fellow bloggers and wine business people may look in here these days. Maybe even, nudge nudge, a couple of German wine queens. As to why that is, that will be duly revealed, much to my intense envy, in a few days' time. In the meantime, no Bordeaux, no ill-fated Burgundy projects and no wines dug out of the trash bin.
Instead, if it please your majesties, a German classic:
Willi Schaefer is one of the stars of the Mosel, so much so it seems that he and his son Christoph even in 2011 think they don't need a website so that people can find out about them. Well, they are on our radar anyway, but I am sure others would appreciate the chance to learn more about this small, family-owned estate in Graach. The wine you see in front of you is one of the basic offerings, a "feinherb" or "off-dry" Riesling that comes with a screw cap.
After all the excitement of wines dug out of the garbage and superbly aged supermarket plonk (whatever next?), dare we even bother you with a simple Kabinett from the Mosel, a sweet young thing from the slopes of Erden? We do indeed and, in all modesty, I think we may have found a minor classic for you.
One to even hide away now, maybe, and in ten years' time, follow our example and write your own semi-informed little piece on what you dug out of your cellar, wardrobe or customised wine storage appliance?
I concluded my recent exploration of the ageing potential of cheap German plonk with a reference to what is a, well, reference point for white wine that often has to age before being at its most enjoyable: a Mosel Auslese. Ideally, these Rieslings have two key ingredients for ageing well - sugar and acidity. A good Auslese can easily improve for a decade and will often last much longer than that.
This means that the 2007 Auslese from Mosel producer St. Urbans-Hof could still be considered a youngling. On the other hand the wine has been living in my wardrobe since I bought it at the winery in 2008 (for €24), hardly the best place to age slowly, and who says you cannot enjoy an Auslese when it is still young?
This wine is one of two bottles that found their way to me under somewhat mysterious circumstances. As I have covered this elsewhere, let's for the moment focus more on the "what" than on the "how". And that in itself makes for an interesting case. As is common knowledge (even among non-wine drinkers) wine ages. Now, for most wines that just means a constant progression to a state of vinegar. Some will age for a few years without problem, but only a few do improve with ageing. And even among those thirty years is a respectable age.
It would be even more respectable for a wine that back in the day cannot have been very expensive and may very well have been relatively cheap, mass-produced as this blend of unspecified grape varieties from the Mosel. Is it actually still drinkable?
I'm always honoured when people who have stumbled onto this blog contact us for expertise on German wine, even while I find myself guiltily hoping that we are not the only source that they rely on, given the patchiness and dabbling character of this our whole undertaking. But here is a piece of advice that I guarantee you will not regret following: When looking for mature-ish Mosel Riesling in great drinking condition, look no further than the 2002 vintage, underrated in many quarters, but in my humble experience as safe a bet for lively, nuanced wines as you are going to find.
Martin Müllen's 2002 Kabinett from the aptly named Paradies ("paradise") vineyard is a case in point. Over and beyond being a minor classic of the neo-traditional style of Mosel winemaking (whatever the hell that is supposed to be), it also has a long and distinguished history in this Wine Rambler's cellar, being one of the very first wines ordered directly from the producer. And I'm happy to report it has never before tasted this good:
One of the pleasures of living in London is the vibrant wine trade and more wine-related activities going on than a Wine Rambler can participate in. I try to cover what happens in German wine though, and so earlier this month I set out to a Mosel-Saar-Ruwer tasting in the Great Hall at One Great George Street in Westminster. I had visited this fantastic location previously, for instance for the recent English Wine Producers tasting.
On 4th July it was not English but German wine in my glass, and from Germany's most famous wine region - a chance to try some of the off-dry and sweet Riesling from the 2010 vintage. And to be presented with an apple, the most unusual tasting gift so far.
Looking back over the last few weeks of wine rambling, I realise it has been a little while since we have reviewed a dry Riesling. As certain standards need to be upheld (and the world reminded that Germany defines itself more and more about dry), a bottle of dry German Riesling was uncovered from my wardrobe cellar.
As it happens, it was a dry Mosel Riesling, made by winemaker revolutionary Reinhard Löwenstein.
The Schloss Lieser estate, dear readers, is the one winery that has had more of their bottles consumed chez Mr. Munich Wine Rambler than any other I've never told you about (except very briefly here). Admittedly, this also involves an order I placed twice in considerable confusion, but mostly, it is because Ute and Thomas Haag have been offering arguably the most consistent value in fruity and sweet Riesling for the last seven or eight years. Thomas Haag is known to Mosel afficionados as the son of Wilhelm Haag from the Fritz Haag estate, wine being a family affair in that part of the country. The 2005 Kabinett from the iconic Brauneberger Juffer Sonnenuhr vineyard was the first of their wines I ever got to taste, four or five years ago.
So how has it been holding up?
Even Wine Ramblers do have a birthday. Just recently, it was the birthday of THE Wine Rambler and also of my co-Rambler Julian. My birthday is already a few months past, but there is still something to report on: When I met our Munich branch as part of my birthday celebrations, I found myself presented with a special gift.
Co-Rambler Julian likes to hunt for aged wines on eBay (great if you are in Germany, imppossile in the UK because of legal restrictions), and for my birthday he managed to find a bottle of a suitably aged Riesling from a Mosel winery that has my personal seal of approval.
"Gold, gold, gold - molten gold flowing into our glasses." That was the impression Markus Molitor's late harvest Riesling had left when I first tried it in the summer of 2008. Now, opening my last bottle, I had the same, most pleasant sensation, just enhanced with a little more wisdom of age (the wine I mean, certainly not me).
Late harvest (Spätlese) Riesling from the Mosel to me is one of the most exciting manifestations of wine, ideally light, elegant, full of character and with the right dosage of residual sugar to tempt you for yet another glass without cloying you with too much sweetness.
If there was a branch of wine journalism that reviewed wines on the merits of their labels alone, then, for my money at least, the delightfully old-fashioned classics from this great Ruwer estate would be hard to beat. Now, the good news is not just that the Wine Rambler, for one, will not give up on sampling the contents of wine bottles as well.
More to the point, the good news is that the stylishness of this particular wine now before us does ample justice to the lovingly crafted quality of the packaging:
The Mosel, Germany's best known wine region, hosts many styles of Riesling winemaking: There are the modernists, there are the traditionalists, there are the ultra-traditionalist. And then, there is Jos. Christoffel Jun. The winery's website nicely underscores their brand of conservatism, in that there isn't one. If you want to get your hands on any of the older vintages (back into the 80s, rumour has it) they still have on offer, get your ass down to the Mosel. Or else get lucky on eBay, like your undeservedly fortunate correspondent. For about 12 €, shipment included, I got this Spätlese from the year Frank Zappa died.
Reinhard Löwenstein is a well known and, at least for some, controversial German wine figure. A communist in his youth, he is among the few writing winemakers (and not afraid to quote Marx) and also a vocal proponent of the idea of terroir in Germany. On his steep Mosel vineyards he almost exclusively grows Riesling, often substantial wines that need time to develop their potential.
I mention this because when the other day I wanted to introduce a friend to Löwenstein Riesling I only had a 2008 to hand and was a little concerned about opening the wine so early.