half-dry

When touring the Mosel in 2008, we visited, amongst other places, a village called Leiwen. It was chosen for very practical reasons, as the wide and comfortable cycle paths along the river lead right past it, but more importantly for bacchanal reasons as it is the home of the St. Urbans-Hof winery. Small by New World standards, the 33ha vineyard area owned by the Weis family actually make the estate one of giants of the Mosel/Saar region and they include sections of several prestigious vineyards.

One of them is the Bockstein, near the village of Ockfen at the Saar river. There was no time to visit Ockfen in 2008, and until that can be remedied I will have to make due with enjoying the odd bottle of Ockfener Bockstein Riesling.

This little review revisits old Wine Rambler territory: Swabia's Stromberg region, last seen in the throes of a damaging freak frost in the spring of last year. This time, another winery, just one picturesque beech-forested ridge away. The Steinbachhof is an ancient estate created by the cistercian abbey of Maulbronn, then owned by the dukes, later kings of Württemberg, and now by two adventurous young people, Nanna and Ulrich Eißler, who supplement their income from wine growing by hosting wedding and business receptions in a beautifully refurbished old barn.

From a recent short visit, I brought a bottle of Riesling that, sadly, you won't be able to find outside of Germany, or Swabia for that matter, for any time soon:

For stereotypical American or Japanese tourists who also love wine, a visit to Schlossgut Diel has to equal the feeling of a child realising it has been locked in an ice cream parlour for lunch break. After all we are not only talking about one of Germany's top wine estates, we are also talking about a "castle winery", as that is what "Schlossgut" translates to. Castle Layen, where the Diel family has been based since the Napoleonic wars, was built in the 11th century. The wines in the cellar are not quite as old, but rumour has it some go back to the early 20th century, so the both lovers of medieval towers and old wine should be very happy there.

Sadly, I have yet to visit Schlossgut Diel (preferably leading a raiding party), but at least I managed to get my hands on a few bottles of their Riesling - this Kabinett Riesling from the "gold hole" vineyard being one of them.

Willi Schaefer is one of the stars of the Mosel, so much so it seems that he and his son Christoph even in 2011 think they don't need a website so that people can find out about them. Well, they are on our radar anyway, but I am sure others would appreciate the chance to learn more about this small, family-owned estate in Graach. The wine you see in front of you is one of the basic offerings, a "feinherb" or "off-dry" Riesling that comes with a screw cap.

When I recently had two wine loving friends visiting, I pitted the Schaeffer against an off-dry Australian Riesling in another epic Wine Rambler blind tasting battle.

"But it is a little sweet", was the warning when I expressed an interest in buying this Riesling - as if that had ever stopped a Wine Rambler! Quite the opposite, I was very exciting to find an off-dry Australian Riesling as I had never before tasted one. It also seemed to me it would be a great change to taste it blind against an off-dry German Riesling.

This made even more sense as the label told me that "This early picked Riesling is loosely based on the German "Kabinett" style." Well, bring it on Australia.

reviewed here

This wine is one of two bottles that found their way to me under somewhat mysterious circumstances. As I have covered this elsewhere, let's for the moment focus more on the "what" than on the "how". And that in itself makes for an interesting case. As is common knowledge (even among non-wine drinkers) wine ages. Now, for most wines that just means a constant progression to a state of vinegar. Some will age for a few years without problem, but only a few do improve with ageing. And even among those thirty years is a respectable age.

It would be even more respectable for a wine that back in the day cannot have been very expensive and may very well have been relatively cheap, mass-produced as this blend of unspecified grape varieties from the Mosel. Is it actually still drinkable?

Contrary to the impression given by my recent confessional posting, I do not generally source my aged Rieslings by going through the neighbours' garbage. Here's one I bought absolutely regularly from a Munich wine shop. J. B. Becker is Rheingau winery known for the uncompromising traditionalism of its winemaking and the longevity of its Rieslings.

So while we are on the topic, I thought another little review may be in order:

I'm always honoured when people who have stumbled onto this blog contact us for expertise on German wine, even while I find myself guiltily hoping that we are not the only source that they rely on, given the patchiness and dabbling character of this our whole undertaking. But here is a piece of advice that I guarantee you will not regret following: When looking for mature-ish Mosel Riesling in great drinking condition, look no further than the 2002 vintage, underrated in many quarters, but in my humble experience as safe a bet for lively, nuanced wines as you are going to find.

Martin Müllen's 2002 Kabinett from the aptly named Paradies ("paradise") vineyard is a case in point. Over and beyond being a minor classic of the neo-traditional style of Mosel winemaking (whatever the hell that is supposed to be), it also has a long and distinguished history in this Wine Rambler's cellar, being one of the very first wines ordered directly from the producer. And I'm happy to report it has never before tasted this good:

Liebfraumilch does not need much introduction, seeing as it is probably the wine most foreigners, certainly the British, associate with Germany. What hundred years ago was one of the best white wines in the world has since become cheap supermarket plonk. Hardly a reason to look out for those wines then, I hear you say - and yet I got extremely excited when a little while ago I got my hands on a bottle. Why? Because it was over 25 years old.

At this age, most wines are undrinkable, and even quite a few age-worthy white wines don't look exactly fresh anymore. Surely, the Liebfraumilch must have turned into vinegar. Or did it?

After recently exploring his 09 Pinot Gris, it is now time to taste Helmut Dönnhoff's 2009 Riesling. Dönnhoff is the uncrowned winemaking king of the Nahe region and one of the (more or less crowned) archdukes of German Riesling, so I was very curious to see how his entry-level Riesling would do.

After it had been sitting in my famous wardrobe for a while, the Dönnhoff's time had come when I set out to visit one of London's secret supper clubs.

Sometimes you have no idea what you are looking at. The other day I pulled a bottle out of a newly arrived cask of wine that I hadn't actually ordered - nor had I heard of the winery before! Turns out that the wine merchant had sneakily squeezed it into the box as a thank you for a good customer. Herr Behringer also asked me for my opinion.

Following the recent debate on neutrality of wine bloggers I should probably add that this is the first wine we have received from Behringer without paying, that he did not ask us for a review and that the wine is not in his portfolio (I wonder if he plans to change that though). Anyway, Mr Behringer, here goes.

The Mosel, Germany's best known wine region, hosts many styles of Riesling winemaking: There are the modernists, there are the traditionalists, there are the ultra-traditionalist. And then, there is Jos. Christoffel Jun. The winery's website nicely underscores their brand of conservatism, in that there isn't one. If you want to get your hands on any of the older vintages (back into the 80s, rumour has it) they still have on offer, get your ass down to the Mosel. Or else get lucky on eBay, like your undeservedly fortunate correspondent. For about 12 €, shipment included, I got this Spätlese from the year Frank Zappa died.

Blue Nun is a German wine label that is very successful in the UK. Known for relatively inexpensive, off-dry wines, Blue Nun is especially marketed at younger women. I am not one of those, but in my quest to explore inexpensive German supermarket wine I have reviewed one previously (see also for details on the brand), and now it was time to brave it a second time.

I bought the 2009 Blue Nun at Sainsburys as part of a blind tasting experiment involving cheap German supermarket wines. How did the £4.29 wine fair?

Having written about Liebfraumilch previously, I will keep this introduction short. What once was the name for a highly sought after German wine has since become a label for plonk - a mildly sweet wine, produced as cheaply as possible from vineyards all over German wine growing regions. It is very popular in the English market and sells in bulk.

I bought mine for £3.06 from Sainsburys as part of a blind tasting experiment in cheap German wine. And was a little surprised.

Piesport is the name of a wine growing village in Germany. On steep hills along the Mosel, some of Germany's best Riesling is grown. "Piesporter Michelsberg", however, only indicates that the wine comes from grapes grown somewhere in the area. It is a designation no quality producer with a good vineyard there would use, so when you find it on a label you are most likely looking at a mass-produced wine that will probably not even contain grapes grown in Piesport itself.

I bought my Michelsberg for £3.99 from Sainsburys as part of a blind tasting experiment in cheap German wine. How did it fair?

Looking back over the wines I have enjoyed over the past few months it was an impressive range of delightfulness and excellent quality. Despite having spent quite a bit on wine I think it was worth every penny, but I was also reminded not to forget to explore what is available on the cheaper end of the market. So during a recent visit to Sainsburys I grabbed a random bottle of relatively inexpensive German wine to set my experiences in perspective.

Mind you, there are people out there for whom £4.99 for a bottle of wine is anything but cheap. However, if you consider that around half of the price goes to the government (tax, excise duty etc.) and quite a bit to the retailer (and that does not even take into account the cost of shipping etc.) then you realise that such a wine has to be produced very cheaply indeed to be commercially viable. Too cheaply?

Seeing how good their reputation is, it was high time for us to review a wine made at the Willi Schaefer winery. The Schaefer estate is run by Willi and Christoph Schaefer, father and son, who on a few hectares of steep Mosel land exclusively grow Riesling. They feature a label design that just screams traditional Germanic Mosel style, bordering on cute cliché. I like it, of course. The family also seem to be traditional in other ways as they still don't have a website. Or they hide it. There is nothing that needs hiding about this wine though. Not only highly enjoyable on its own it also paired very well with Tim Burton's Sleepy Hollow on a cold autumn night.

It was a cold and windy night. Suffering from a somewhat congested nose, I still desired a glass of wine to keep me company while I watched Christopher Walken decapitate fat blokes in the woods. Just a little light-hearted fun, what could be better than a Mosel Kabinett?

See short tasting note here.

Over the years, we have tasted a wide sample of German wines (though still so much more to explore!). However, my German wine experience is very different from that of most people here in the UK or across the globe. While we mostly drink wine from smaller, family owned vineyards, the UK especially downs the likes of Liebfraumilch by the gallon. So it was high time to get in touch with my inner mainstream drinker and get one of those iconic Black Tower bottles you can see in most British supermarkets.

Black Tower claims to be Germany's most widely exported wine brand, in fact, it may very well be Germany's best selling wine globally - it certainly is in the UK. Reh-Kendermann, who own Black Tower, spent a lot on the brand, particularly researching the design.