sweet

Of all the longer and shorter wine tours and winery visits I have undertaken the 2008 trip to the Mosel is the one I have the fondest memories of. Not only was it part of a longer holiday and involved the full Wine Rambler committee, I also had the chance to meet some of my favourite winemakers and cycle along the fantastic Mosel cycle paths. And it was asparagus season - easy access to white asparagus is probably where London is weakest on the food supply front.

Among the wineries we visited was Reuscher-Haart, one of several branches of the Haart family living in the famous wine village Piesport. The last wine left from that visit is (or was) this 2006 late harvest Riesling.

Quoting Shakespeare is fine. In fact, it is recommended to do it at least occasionally when you write in English. For some reason though the Germans are less likely these days to quote their national poet. Unless you write editorial for a conservative newspaper there seems to be something stuffy to it - although I'd recommend reading some of Goethe's obscene love poems if you believe the old man is stuffy. Anyway, today is the day I am going to quote Goethe in a wine review. However, in order not to turn you away before you have at least glanced at a great wine I shall do it at the end of this piece.

So before we get to the national icon, let's take a look at one of the national wine icons, the Rieslings made by the Emrich-Schönleber family.

This is a story of failure. Not a failure of the wine in question, quite the opposite of it. The wine was great. Instead it was me who failed the wine, in a way at least. Having said that, perhaps someone else is to be blamed for this ramble being a little different. As it happens, I have a photo of the culprit, and they look like this:

the real culprit

What has a pure, innocent grasshopper to do with an aged late harvest Riesling? Well, it is all about focus and light.

After all the excitement of wines dug out of the garbage and superbly aged supermarket plonk (whatever next?), dare we even bother you with a simple Kabinett from the Mosel, a sweet young thing from the slopes of Erden? We do indeed and, in all modesty, I think we may have found a minor classic for you.

One to even hide away now, maybe, and in ten years' time, follow our example and write your own semi-informed little piece on what you dug out of your cellar, wardrobe or customised wine storage appliance?

I concluded my recent exploration of the ageing potential of cheap German plonk with a reference to what is a, well, reference point for white wine that often has to age before being at its most enjoyable: a Mosel Auslese. Ideally, these Rieslings have two key ingredients for ageing well - sugar and acidity. A good Auslese can easily improve for a decade and will often last much longer than that.

This means that the 2007 Auslese from Mosel producer St. Urbans-Hof could still be considered a youngling. On the other hand the wine has been living in my wardrobe since I bought it at the winery in 2008 (for €24), hardly the best place to age slowly, and who says you cannot enjoy an Auslese when it is still young?

It is still Silvaner season at the Wine Rambler. Actually, for us it is Silvaner season throughout most of the year, but over the past few months we have been even more busy exploring this often underrated German grape variety. Today's specimen is a little unusual, even for us, as it is a sweet Silvaner, an ice wine in fact. Ice wine is made from grapes frozen on the vine - a process that helps extract water and thus (relatively) increases extract and sugar levels, making for delicious sweet wines.

This ice wine was made by Pfalz producer Gerhard Klein based in the village of Hainfeld. If you are not familiar with the Pfalz, you may be amazed to hear that among the grapes they grow are Syrah and Cabernet Sauvignon. Now I even read that Kleins also plant Grüner Veltliner! Compared to that, Silvaner is a much traditional German planting, and that's what we will focus on today.

The Schloss Lieser estate, dear readers, is the one winery that has had more of their bottles consumed chez Mr. Munich Wine Rambler than any other I've never told you about (except very briefly here). Admittedly, this also involves an order I placed twice in considerable confusion, but mostly, it is because Ute and Thomas Haag have been offering arguably the most consistent value in fruity and sweet Riesling for the last seven or eight years. Thomas Haag is known to Mosel afficionados as the son of Wilhelm Haag from the Fritz Haag estate, wine being a family affair in that part of the country. The 2005 Kabinett from the iconic Brauneberger Juffer Sonnenuhr vineyard was the first of their wines I ever got to taste, four or five years ago.

So how has it been holding up?

Even Wine Ramblers do have a birthday. Just recently, it was the birthday of THE Wine Rambler and also of my co-Rambler Julian. My birthday is already a few months past, but there is still something to report on: When I met our Munich branch as part of my birthday celebrations, I found myself presented with a special gift.

Co-Rambler Julian likes to hunt for aged wines on eBay (great if you are in Germany, imppossile in the UK because of legal restrictions), and for my birthday he managed to find a bottle of a suitably aged Riesling from a Mosel winery that has my personal seal of approval.

"Gold, gold, gold - molten gold flowing into our glasses." That was the impression Markus Molitor's late harvest Riesling had left when I first tried it in the summer of 2008. Now, opening my last bottle, I had the same, most pleasant sensation, just enhanced with a little more wisdom of age (the wine I mean, certainly not me).

Late harvest (Spätlese) Riesling from the Mosel to me is one of the most exciting manifestations of wine, ideally light, elegant, full of character and with the right dosage of residual sugar to tempt you for yet another glass without cloying you with too much sweetness.

It may sound otherwise, but Huxelrebe is neither a reason to shout "Gesundheit" nor an infectious disease. Instead, it is one of the grape cross-breeds created in Germany in the 1920s, and like many of those it is now mostly grown in Germany and England. Huxelrebe is a very high yielding variety that easily reaches high sugar levels, but it can produce high quality wines if yields are reduced.

You will find dry Huxelrebe ("Rebe" means "vine"), but mostly they are sweet dessert wines, like this one from the Pfalz.

Piesport is a lovely village in the German Mosel Valley. Because of the peculiarities of the German wine law, the name can show up on the labels of very cheap wines from somewhere in the area (Piesporter Michelsberg), or it can be on first class Riesling from some of the Mosel's best vineyards. After having recently indulged myself in the delights of the supermarket wine version, it is now time to revisit the outstanding Goldtröpfchen vineyard version.

"Goldtröpfchen" means little drop of gold, and the Rieslings made by Theo Haart and family in Piesport can indeed be described as such. Today's Haart Riesling even comes with a gold capsule ("Goldkapsel"), indicating that the Haarts were particularly pleased with the quality of what went into this bottle.

In the early 20th century the Germans embarked on a mission to create a genetically modified race of - no, not über-soldiers, but grape varieties. They were also not so much genetically modified as traditionally cross-bred, but the idea was to create varieties that could handle bad weather better, were robuster or addressed some other actual or perceived flaws in existing varieties. Scheurebe ("Scheu's vine") was created in 1916 and was for a long time thought to be a cross between Silvaner and Riesling, but has only recently been revealed to be a cross between Riesling and a wild vine.

Aromatic and with some similarities to Riesling, Scheurebe is often used to create complex sweet wines, and - while not exactly grown on large scale - is increasingly popular with some of Germany's top winemakers.

Over the past few years I have reviewed quite a few Haart Rieslings, and for this reason I had considered scaling down for a while (with the writing, not the drinking of course) in order not to bore you. It's good I did not make it into a New Year's resolution though, as the latest Haart I opened was so stunning I honestly cannot remember having had a young Mosel late harvest Riesling of this quality.

A good Riesling wine of Auslese quality will usually need a few years before it really shows its potential and some of the outstanding ones may need a decade or more to get there, depending on whether you like them fruitier or a little more sophisticated. The other day, the time for Theo Haart's 2001 Auslese had come, and as it was my last bottle we will never know whether it would have been even more delightful had I waited five years more.

"Haart since 1337"

We just voted not one, not two, but three dry Rieslings into our top five picks of last year. We didn't do that to make a point, those were just the wines we happened to enjoy most. Having said that, it is true that the effort many english-speaking wine lovers will make to ignore any german wine that is not sweet Riesling have not ceased to amaze us - amaze, and annoy us ever so slightly. This is not, I hasten to clarify, because we fail to appreciate the great sweet Rieslings. They are indeed unique, delightful and still handsomely underpriced in the global scheme of wine. It's just that this fact is already widely known, so frankly, it is not exactly breaking news to report on another little marvel of liquid stone and sweet peachy caress.

But on this January day, the time has come to do just that.

Cool mineral, herbs and peach - whenever I hear these words I have to think of the bouquet of the Rieslings Theo Haart produces from grapes grown in the famous Goldtröpfchen vineyard at the Mosel. This wine is no exception, it just adds tropical fruit and a hint of citrus to the mix, plus aromas of rubber balls and a faint hint of vegetable, identified as broccoli by my friend Bethan. For a wine of Auslese quality it is still relatively young, so maybe give it some decanter love to allow it to develop properly.

In theory, this wine would have warranted a long review. First of all a twenty year old wine that is still enjoyable should be worth saying something about. Then it was also a gift from a friend who bought it for peanuts from an English wine shop years ago - since then it has lived in his attic until he donated it to a little wine tasting I hosted in August. The reason that I am not inclined to honour it with a long story is that when I emailed the estate to learn more about the wine they didn't even bother with a one line reply. They are of course not obliged to, but then neither am I to spend more time on it.

Dessert wine. Think Riesling so thick with sugar that you could grease your bicycle with it. Think Sauternes with even more sugar than the Riesling and twice the level of alcohol. Think Château d'Yquem. Think Austrian red wine. Ah, wait, did he just say 'Austrian red wine'? Yes he did, and he wrote that in a perfectly sober state. So let me start with saying that that there is Austrian red wine (in case you did not know) and that it can be outright fantastic. Most of it is dry, so I got very excited when I saw this sweet, half bottle beauty on the shelves at Harrods. So what is a sweet Austrian red wine like?

New York City is hipster territory - or at least that is the message it is trying very hard to project during my current visit. Interestingly, most things German do seem to be considered hip, especially German beer culture. The Lower East Side for instance welcomed me with German brass music, schnitzel and beer served by busty wenches dressed in pseudo Bavarian outfits. German Riesling, it turns out, is also very popular among the cool wine kids here, so it was quite fitting I brought one over to share with my host: a late harvest Riesling made by one of my favourite producers at the Mosel, Theo Haart. Usually, I would have opted for a Haart Riesling from one of the famous vineyards such as Piesporter Goldtröpfchen, but a few years ago I came across this late harvest from several vineyards around Piesport, which to me seemed almost more interesting than some of the wines from the top sites. Did it hold up as well as Haart's premier wines though, I wondered, or were we in for a disappointment?

See short tasting note here