2005

Mosel Riesling, the embodiment of German wine - at least in foreign perception. Readers of the Wine Rambler will not have to be told that there is so much more to German wine than Mosel Riesling. Still, every so often reminding everyone of the fantastic wines that come out of this area cannot hurt. One of our favourite producers at the Mosel is Markus Molitor (who also makes fantastic Pinot Noir). And one of the best Molitor wines I have had is, no, it is not one of the prestigious Auslese or Trockenbeerenauslese wines, it is a 'Qualitätswein'. These quality wines are somewhere in the middle of the German classification system - but don't let these bureaucratic details fool you. You are looking at pure awesome, and at amazing value too.

Traditionally, it is 'Go West' if you want to embark on an adventure. A few weeks ago a friend of mine made the journey eastwards and relocated to Georgia. As one can never be sure where 'East' is with an international audience I should probably add that we are speaking about the country bounding the Black Sea. It is also one of the oldest, if not the oldest, wine growing countries, and one of the countries whose wine I have never tried before. So when I was scanning the shelves at Philglas & Swiggot for something unusual, a massive dark bottle saying 'fine wine of Georgia' immediately got my attention. As if this coincidence would not have been enough to make it interesting, the wine is also made from Saperavi, and indigenous varietal that was also new to me.

So here's to exploring new things, for the bold ones who actually venture there, and for the armchair wine snobs who prefer the safer route to try them with pasta and tomato sauce first.

Wine, it seems, is still getting more and more alcoholic, a trend to which climate change happily contributes. After all, there is not much that producers can do against rising temperatures. Or is there? Gérard Gauby, a Roussillon winemaker, seems to believe they can. A decade ago he switched to biodynamic winemaking and successfully developed methods to reduce the alcoholic strength of his wines.
I had a 2005 Gauby sitting in my wine rack for a while now, until Julian kicked me into action by commenting on Gauby's 2004: 'Aromatics of overripe plum and dried herbs, but fairly imprecise and unfocused, with sweet and oxidised port notes that didn't work for me. I think very highly of Gauby, but this one doesn't seem to age well. Or maybe a reminder that "natural" wines are at all times capricious, moody fellows?' After reading this it seemed high time to drink up my 2005, in case it had suffered a similar fate. Had it?

Situated in the southern parts of the Pfalz lie the vineyards of Friedrich Becker. Well, actually, he owns a few on the French side of the border too. Maybe this explains (if indeed an explanation would be needed) why Becker is often referred to as a specialist for 'Burgunder-Weine', or 'Burgundy wines': the members of the Pinot family are called 'Burgunder' in German. The sparkling wine we tasted, blind and against an English sparkler, as part of the Wine Rambler birthday celebrations is a good example, after all it is a cuvée of Pinot Meunier, Pinot Noir, Auxerrois and Chardonnay (the latter two varietals are at least related to the Pinot family). So, here we have a German sparkler with 'French' varietals and made following the classic Champagne method, which includes having spent about three years on lees. So how does it taste then?

If I think of a German winery that has lots of experience with blending red wines, the Knipsers come to mind. Just a little while ago I tasted their Cuvée X, a masterful blend of Cabernet Sauvignon/Franc and Merlot. Even though the Cuvée X can stand up to a good French Bordeaux, it is not exactly cheap either, so I was very curious to try the Gaudenz, a significantly cheaper red wine blend made by the Knipsers. In fact, it is surprisingly cheap. It also is a blend of different grapes, including the German varietal of Dornfelder, and is matured in used barrique barrels for about a year.

Here I am, back to drinking German red wine from Rhineland-Palatinate. The St. Laurent grape varietal is a fairly old one, possibly of French origin, that is now often associated with good old Austria, but also increasingly popular in Germany (after it had almost been forgotten there). It is probably related to Pinot Noir and often described as the little, less sophisticated, but also more powerful brother to this varietal. So it is no wonder that the Knipser brothers, German red wine and barrique specialists, matured this wine in barrique barrels - for 18th months, in fact. The Knipser St. Laurent is no doubt a wine of quality. Perversely, it appears to be exactly this quality that left me with a big question mark regarding this wine. Perhaps you can help me clarify the matter?

Tasted blind, and very subjectively, here.

Tasted blind, and very subjectively, here. [read the full post...]

Recently we reported on a somewhat unusual German wine, a Syrah from the Pfalz. As this wine got a lot of interest, I decided it was time to open a bottle of another, unusual, red wine from the same producer. After having sampled the 2003 Syrah it was time to try the flagship wine of the Knipser winery, the Cuvée X, a blend of Cabernet Sauvignon, Cabernet Franc and Merlot - all grow in Germany, just a few miles left of the Rhine.

Uncertain what you are looking at here? Somehow strangely attracted yet also confused? Doubtful whether this actually belongs on a wine blog? If this is what you feel looking the above picture then welcome to my world of confusion and doubt about a wine of which I am not sure if it should exist at all. What do you do with a wine clocking in at 15% alcohol? How do you feel when you realise it is a white - and from one of the coolest wine regions of a cool wine growing country? Should Mosel winemakers really do this? Should any (white) wine be so strong? Is it actually drinkable? If you want a definitive answer to these questions, please do not read on.

Nine days into the new year and we're already sticking our noses into the sparkling wine again. Is that hedonistic cheek on our part or a commendable discipline in making good our new year's resolution number 2? Actually, it's neither, since this is a postscript to our new year's eve.

Lively, but not over-strong bubbles, a smell of ripe apples and quince. Bone dry and almost austere at first taste, but at the same time fairly creamy and intense, with the tiniest hint of oak maybe, and in the end, it's mature quince and apple fruit again, maybe also a hint of tangerine, with very fresh acidity all the way through.

Certain ways of cooking fish and shellfish just cry out for a clean, light and crisp dry white wine - especially if you bake a whole sea bass in a salt crust. This is an excellent way to celebrate the delicate flavour of fish and it works well with a range of fish, including sea bream. Just put a little pepper and some herbs into the fish and then cover the whole fish in a dough made of salt, water and perhaps a few egg whites. This seals in all the moisture and preserves the delicate flavours of the fish. Serve the fish just with a bit of olive oil, pepper and salt, perhaps a little lemon and enjoy with very simple side dishes, perhaps just a few slices of white bread. And make sure to select a wine that will not overpower the fish - I find a dry Muscadet works very well in this context.

It is still 2009, the year of the Silvaner grape in Germany - and the Wine Rambler is of course drinking Silvaner. After a full committee meeting last Saturday enjoyed an outstanding Silvaner from Franconia, the London branch of the Wine Rambler jumped right back into Silvaner, this time with a more aged wine - another outstanding example of what a competent winemaker can do with this grape.

The very discreet notes of tobacco in the nose of this wine went almost unnoticed when I opened the bottle yesterday to go with a raspberry desert - but that was simply because of the quite intense raspberry smell dominating the table. Despite the fruity dessert we could easily pick up apple, peach and herbs, embedded in a fresh, mineral creaminess. A very pleasant nose coming from this 'feinherb' (=off-dry with perhaps a bit more acidity) Mosel Riesling - and a very good reflection of the sensation awaiting your taste buds. The apple is perhaps a bit more dominant on the tongue than the nose; the Riesling manages to be both smooth and a little rough (in terms of acidity think more vegetable/apple than citrus fruit) with firm minerality, good structure and a nice finish.

Straw-coloured. Fairly understated smell of candied citrus peel, camomile tea and a hint of petrol.

The taste is so much fresher and more open: Wonderful rich sweetness, elegant ripe pineapple notes, the world's fruitiest camomile tea, the tiniest hint of caramel, good stable acidity, a mineral background. What makes this Spätlese wonderful is that it has the complex flavours of maturity (the typical lemon, peach and apricot aroma of young riesling is almost completely gone), but is still vibrant and fresh. It seems that, out of pure luck, I have opened it at a very good point in its development.

From a region not often talked about, a producer to watch out for.

So here I sit, listening to Billy Bragg and Wilco, waiting for a Riesling to reach drinking temperature, and I am really pleased with this French red. The winery, Domaine les Filles de Septembre, was named after the four daughters of wine makers Françoise and Roland Géraud. And Delphine is one of the four. If she is anything like this cuvée of Syrah and Carignan, she must be lovely indeed. [read the full post...]

We found this Riesling in a restaurant in Leeds where we needed it to go with two fish dishes and also a piece of beef. It performed well on the fish front (smoked trout and roasted brill) and was okay with the beef (just okay because of being a little too light compared to what we had expected).

A very flowery wine that reminded us a little of Weißburgunder (pinot blanc), with noticeable buttery nut flavours and some green apple. This was accompanied by lots of minerally liquorice with a bit of chilli. Even though that sounds nice in theory, the wine was lacking a certain "oomph" and the various elements did not quite come together. Not unpleasant at all, but also not truly memorable.

Intense colour, beautiful dark dark red. Concentrated nose of blackberry and black currant with a little pepper and robust wood (don't think too much vanilla, think shelf). Fruity in the mouth, again with blackberry and blackcurrant (you get what you smell), burnt wood, notes of vegetable, cool.

Fully bodied and strong, but still elegant with smooth tannins and drinkable. It made me think of my good old bolognese sauce - this would be the perfect companion.

Light red-brown irony colour and a promising bread-heavy, herbal nose with a bit of fruit, black pepper and smoky notes. In the mouth, a well-structured Pinot with preserved cherries, rough bread, pepper and spice plus herbal notes.

Precise with some depth and enough fruit to be charming but without becoming an in-your-face cherry fruit bomb. Not as easy to drink as the American Pinot we had a while ago, but makes up for that with more individual character. And a really nice finish. Thumbs up for Holger!

Was marketed by K&U as a smooth, digestible (!), dry and low acid Grüner that should go well with fish and vegetable dishes, a nice everyday wine. And what can I say, it was exactly that. Everyone enjoyed this crisp yet smooth, very clear Grüner. A wine that excels at being simple.