2007

It may not be a polite subject, but there's no dancing around the issue: Deep-dyed mosel Rieslings from slate soils can give off a bit of an odour. You expect a bit of a mosel funk, you appreciate a bit of a mosel funk, yet in my humble mosel experience so far, here's the undisputed sultan of stink: Andreas Adams's Kabinett gives you your petrol spill, your car dealership, but throw in used motor oil, a sulphur spring and some rotten eggs, and you're getting closer. Very distinctive, if you like this kind of thing. And I certainly do. Beneath the stink, or maybe it's better to stay borne on the stink, are ripe apricots, deep stony minerality and a whiff of caramel. The fruit is really subdued at this stage of early maturity, the acidity is not much of a presence either, and it's really the hard-core slate minerality that is the blood and bones of this ultra-trad Kabinett.

When 2009 came to an end, for some reason the Wine Rambler got infected with the idea of developing new year's resolutions. Among the ones Julian came up with was to 'try more from lesser-known French wine regions like the Jura or the Loire Valley'. Traditionally, I leave France more to Julian, but his recent excitement about a Loire Chenin Blanc made me memorise the word 'Vouvray'. Vouvray is a region of the Loire Valley where they specialise in Chenin Blanc, wines that can rival Riesling in terms of their potential to age for decades. So when (following a phase of drinking much Pinot Blanc, Riesling and some Chardonnay) I came across a Vouvray that was recommended by trustworthy wine merchants Philglas & Swiggot, I did not hesitate and grabbed their last bottle. Lucky me, I can now say.

It is still Chardonnay time here at the Wine Rambler. Following some of my recent 'foreign' Chardonnay adventures, I decided it was time to go back to what Germany has to offer. This time the journey leads to Rheinhessen, where Philipp Wittmann goes from strength to strength with his biodynamic wines (yes, outstanding Riesling, but not only Riesling). What about his Chardonnay?

Wittmann Chardonnay 2007

Today, we continue our exploration of under-the-radar grape varieties in german wine by introducing Pinot Noir's little brother (come on out, don't be shy): Frühburgunder literally translates as "early Burgundy", so we are dealing with a particulary early-ripening member of the pinot family. Like any precocious child, this small-berried variety can be difficult to raise, but promises great complexitiy and aromatics once it really comes into its own. In France, it is known as Pinot Pommier or Pinot Madeleine - except that it isn't really, because it is routinely blended with Pinot Noir without declaring this on the label. In Burgundy, for example, it is often not even known in which of the older Pinot vineyards it exists, and in what proportion. Such ignorance is not for us systematically-minded germans, of course, and in the 1970s, a winemaking college sent out researchers with clipboards, pens behind their ears (as I like to imagine it), into the vineyards to find out. One of the places where they were pleased at what they found must have been Dr. Heyden's vineyards in Rheinhessen, which have given us this excellent example for the grape's qualities:

Schäfer-Fröhlich (literally Shepherd-Cheerful) is the name of a very well respected, family-owned winery in the Nahe region. Despite a recent increase in red wine production, the Nahe is still mostly a white wine region, with Riesling being the most popular variety. The same is true for Schäfer-Fröhlich, a Riesling-focussed winery that over the past few years got a lot of good press. For instance, they were awarded the title of 'winery of the year 2010' by wine guide Gault Millau, they won the #1 Riesling trophy from Vinum wine magazine for 2009 and food magazine Feinschmecker crowned one of their 2008 Rieslings as the best dry Riesling in all of Germany. So you can imagine I was really looking forward to trying a Schäfer-Fröhlich, even if it was only one of their basic wines. Sadly, it did not quite live up to my expectations.

With at least one Wine Rambler new year's resolution still unfulfilled, a sense of duty and self-discipline finally compelled me to open a Loire white. I also wanted to try one of the esoteric, hyper-regional french wines that the really knowledgeable cats like Cory Cartwright from Saignée are always on about. I had hoped for something original to broaden my wine horizon, but this Chenin Blanc from a legendary Vouvray producer turned out to be rather more - a real shock to the riesling-saturated system.

The subject of German red wine would certainly deserve a whole series of postings, for instance making the point that there is a lot of it (about a third of all grapes grown in Germany are red) and that it is not just wine of a lighter type. For today I leave the wider context aside and focus on a wine that is an example of a more substantial type German red, a blend of different varietals including Cabernet Sauvignon and Dornfelder. Winemaker Friedrich Becker is a well known specialist for red wine, with the red wine cuvée Guillaume being one of the cheaper wines from a range that can be quite pricey (just recently I saw one of his premier Pinot Noirs in a Munich department store for around a hundred Euro).

It's been a while since I have given Hungary a try, and high time to spread the word about this Kékfrankos (a.k.a. Blaufränkisch, a.k.a Lemberger - you know the drill) from Sopron. It is made from organically grown grapes by the Weninger family of Austria, who has built up a branch of their winery across the border on the other side of Lake Neusiedl.

Again, it is back to the Pfalz, this time to take a look at the entry-level Pinot Noir from the Kuhn winery. The colour is quite dark and intense (for a German Pinot Noir), just screaming deep berry flavours. The first sniff already shows that this is not an empty promise: cherries, yeast and mushroom, but also black currant and a bit of mustard come together with leather aromas and a hint of chocolate to form a robust, but very smooth and enticing nose.

May the day never come when streamlined wine marketing gets rid of the german custom of labelling wines by place of origin and vineyard name. Yes, those make for clumsy label design. Yes, they are phonetically intimidating to non-german speakers. But here's their great glory: The best of them already say everything that can be said about a wine more evocatively than anything a wine marketing agency could dream up. Take "Frühlingsplätzchen", a well-known vineyard of Monzingen, in the Nahe region. This could be translated either as "the little springtime place in Monzingen", or as "the Monzingen springtime biscuit". Isn't that wonderful?

Frühlingsplätzchen - kind of. Courtesy of verygoodfood.dk

Bavaria, home of the BMW, the original Disney castle and German red wine. Oh, wait, did I say 'German red wine'? Obviously, I should have said 'German beer' or something along those lines. However, I am just now looking at a bottle coming from Bavaria that features no lion or young maiden on the label; instead, it has a red screw cap and says 'Spätburgunder' (Pinot Noir) and 'unfiltriert' (unfiltered). And it looks, smells and tastes like a red wine. More importantly, it looks, smells and tastes like a good red wine. So while I am not telling you to forget about Bavarian lager, you may want to keep an eye out for red wine from the Bavarian wine growing region of Franken (Franconia).

An English wine? Yes, very much so. One of the Wine Rambler's wine resolutions for 2010 is to explore the subject of English wine, and report back here. Today, that mission (virtually) leads me to Oxfordshire, specifically to Wallingford, about eight miles from Oxford, where Bob and Carol Nielsen planted 14 acres of wine in 1988. Today, Brightwell Vineyard make five different wines, including a rosé, a red (mostly made from Dornfelder) and a sparkling Chardonnay. They have won several prices for their wines and the 2007 Bacchus was awarded the Silver Medal in the 'Wine of the Year Competition' of the UK Vineyards Association.

If you have read the Wine Rambler recently, you will have been introduced to the Knipser family as specialists for red wine - from Syrah to the Cuvée X, a blend of Cabernet Sauvignon / Franc and Merlot, the Knipser winery in Rhineland-Palatinate does it all. Among the many other grape varieties grown is Riesling, and today I have the distinct pleasure to write about a late vintage Riesling that is not only a great example of a dry, focussed white wine, but is also, I like to think, seriously good value.

When german Riesling is praised for its "finest perfume of fruit supported by a lightweight frame", it would seem that its ever-delicate balance must be so fragile that it would never survive contact with heavy, savoury food. Not so. To realise what Riesling can do with Sauerkraut, black pudding and liver sausage, you need to have tasted this classic german pairing* (do not, I repeat do not, take the Wine Rambler's word for anything).
For this, you need a Riesling that is dry rather than fruity, steely rather than floral, firm rather than ethereal. You need, in short, a dry Kabinett from the Pfalz. You also need good Sauerkraut and freshly made (raw, that is) sausages, of course. In what may simply be a local tradition or may have deeper and more sinister reasons of carnivore logistics, Munich butchers offer these every Friday.

The Wittmann winery recently got a lot of attention here on the Wine Rambler - and what is not to like? A wine making family with lots of tradition (been in the business since 1663), unafraid to try new things (they went biodynamic five years ago), and, well, more than capable to deliver the thunder to your wine glass. The latest Wittmann in our collection is no exception here, even though it is not entirely without problems.

I opened the bottle of Weißburgunder (Pinot Blanc) because I was looking for a dry wine with a bit of substance to be strong yet delicate enough to go with roast partridge. What I got was almost more than what I bargained for, because this wine is indeed quite strong.

Imagine the Winesleuth comes to visit. Well, a good week ago fellow London-based wine blogger Denise did actually come over for dinner. And as Winesleuths and -ramblers cannot be without wine for too long, we had to taste two German Rieslings. One was the a deliciously sweet Riesling, the 2007 Goldtröpfchen Spätlese from the Haart winery, which was reviewed here before. The first was a Riesling too, but a dry one the Löwenstein winery. Here is what Denise had to say about it (so I guess this is our first guest-blog, in a way): [read the full post...]

Yellow colour with a shiny golden sparkle - very promising. The nose even better: cool mineral, herbs, lemon and peach - very pleasant peach indeed, but not overwhelming, and some apple, which adds just the right amount of bitter. The peach continues right onto your tongue, giving the Riesling an elegant juiciness, while the apple and especially mineral dominate the first half of the long finish. A wine with good structure, elegance but also a certain assertiveness, Georg Mosbacher's dry late vintage Riesling convinces from start to finish - even two days after I opened the bottle it stays sharp and clear. What can I say, a really good wine!

A fairly dark Pinot Noir, the 07 Vitus has a seriously dry nose: smoky, toasted oak, a little yeast and a little cherry fruit - more serious than playful, I would say. The wine is also not very fruity on the tongue, where leather and a hint of pepper are added to the mix. It does not feel heavy though, partly due to its fresh acidity. The finish is good, marinated cherries, acidity and tannins, but reasonably smooth, and a bit of woodland aroma with the tiniest hint of chocolate. [read the full post...]

This one was recommend by Captain Cork, my favourite german language wine blog. At first, I was a little nervous whether it would be able to handle a Pollo arosto con i limoni. After a few sips, however, It was the chicken I started to worry for:

A hefty dose of fresh oak in the nose, but with it creamy yellow fruit, orange peel, and a tangy saltiness.

New oak dominates the mouth as well, very powerful and long, in no way what I have associated with the Sauvignon Blanc grape, but smoke, roasted almonds, and finally a funky, sulphuric brimstone minerality that stays on the palate for minutes. [read the full post...]

Dark straw colour.
A nose of candied lemon and orange peel, with slate minerality and a tiny bit of vegetal roughness.
Candied lemon peel and "slate" are also prominent in the taste, with a hint of bitterness on the finish.

This very enjoyable Riesling from an up-and-coming producer ranges between the the lighter "traditional" mosel off-dry style and the more opulent and creamy "harmonic dry" created by the likes of Reinhard Löwenstein, Van Volxem and Clemens Busch. Not a bad place to be.