As the wine review I posted on Good Friday revealed a lack of spiritual cohesiveness with regards to what an appropriate wine for Easter should feel like, I have decided to play it safe on Easter Monday. Rheingau winery Ankermühle have moved away from the usual German approach of confusing customers with long and unpronounceable vineyard names and instead use snappy ones like "Jungfer" (spinster), "Maria" and "Hölle" (hell) - or today's Gabriel.
Admittedly, Gabriel's feast day is 29 September and not today, but I figured that going with a archangel would somehow be keeping in line with the easterly spirit.
Is there any wine that feels truly like Easter? I have been pondering this question for a while in order to pick the most suitable wine review to publish today - but I have failed miserably. For me every year Easter feels different, and every day of Easter feels different and stands for something else. Good Friday officially would be about loss, death and most importantly sacrifice, but I am not sure I'd enjoy a wine that tastes like this nor does today actually have any resemblance to these feelings.
So with Easter being so elusive I have decided to write about the most elusive wine I have tasted recently: Philipp Kuhn's "Incognito".
When last encountered on this blog, the plucky little Württemberg winery of Georg and Anja Merkle was in the immediate aftermath of a damaging freak frost. I reported on the brave face that Georg and Anja Merkle put on what was a serious (and completely undeserved) setback, as well as on their philosophy of quality winemaking (you'll find the full story here). It seemed to me then, as I tasted my way through their portfolio, and I tried to put this very politely in the article, that their red wines especially might be pushing too hard. Too hard for power, too hard for concentration, that, impressive as they are, they may sometimes have left lightness and charm behind in order to run with the big boys.
As it so happens, I found the biggest boy of those I took home with me last year still sitting in my cellar, silently flexing his muscles. So is it time for another look, and maybe a reassessment?
Is it wrong to celebrate two Rieslings in a row? After Julian's ecstatic praise of an off-dry Saar Riesling I am now getting all excited about a dry specimen from the Pfalz. While I may ask for your forgiveness for presenting yet another German Riesling, the grand cru Reichsrat von Buhl needs no excuse - even if it was caught stealing from the cookie jar repeatedly. Yes, it is that good.
And it has a striking advantage over its friend from the Saar: you can get it outside of Germany too!
If it isn't overly original of a German wine blog to bring you another Riesling review, then this one is at least as close to the heart of this whole enterprise as you're ever going to get. We bring you what is, despite our previous coverage, arguably the best unknown Riesling producer anywhere: Weinhof Herrenberg, the jewel of the river Saar. Please also note this outstanding micro-winery's fondness for bad puns. In Claudia and Manfred Loch, we salute two kindred souls.
And we duly salute this 2008 offering:
There are not many things I like more than a bad pun. Good wine is among them, of course. During rare moments of hilarity, good wines and bad puns come together. This can be in an intentional way, for instance when Mosel winemakers Haart name a Riesling "Haart to Heart". Other brands are unintentionally funny. And then there are good wines with bad puns that really only exist in my mind: when I moved to England I learned that the polite word for "ass" is "bottom" - and now whenever I hear the East Sussex winery "Breaky Bottom" mentioned I cannot help but giggle.
What a "breaky bottom" looks like I'd rather not imagine, but whatever vision I may now have planted in your brain just forget it. Your are looking at a serious sparkling wine that is neither bottom nor breaky.
You don't go to South East London. At least that is what my friend Sarah thinks, and yesterday she told me so when the question of where to live in London came up. After having lived in the South West, North and West Sarah now contemplates the East - but the South East just seems too far away, like another world. This is a common view in the murky blend of London post codes and identities. It is opposed by a smaller group of those who have lost their hearts to SE London, and they tell me of vibrant local communities with quirky shops, excellent and authentic food offerings and a satisfying restaurant scene. The other day I followed an invitation to explore this world at the East Dulwich wine shop and bar Green & Blue Wines.
It is no coincidence that I used the words "authentic" and "local", as Green & Blue champion wines from smaller producers, especially organic and natural wines.
It is one of our favourite projects for the Wine Rambler that someday we should explain to you the German wine classification and labelling system in a coherent and mildly entertaining fashion. Today, however, we meet another clear-thinking winemaker who has willingly downgraded his own wine to the simplest category available (in this case: "Pfälzer Landwein") to be spared the bureaucratic nightmare otherwise required - in my humble experience, that step is always a good sign. Andreas Durst is a part-time winemaker only, his real job is to professionally photograph other winemakers, wines and vineyards, which he does so well that in the hipper part of the German wine scene, wine-related photography is simply synonymous with his name.
About this and about his wines, we won't say too much just now, because we hope to read and see a little more of Andreas on this blog soon (fingers crossed for a real treat). For now, let's turn to the dry Riesling from his small portfolio that he was nice enough to send ahead to Munich Wine Rambler HQ:
Much as we here at the Wine Rambler make it our business to spread the word about the fine German, Austrian and English sparkling wines, it would be foolish not to recognize which region of the world sets the gold standard in this category. As a matter of fact, If I could give a few pieces of advice to humanity in general, one would be: Drink a bottle of decent champagne as often as finances allow. But then, that means "never" for such a large part of humanity (It means two or three times a year for me, if you must know) that after some thought I keep my advice to myself.
Speaking of gold standards, it was with a mind to stress-test my own personal one, Larmandier-Bernier's Tradition extra brut against a new candidate from what could be called received Indie Champagne: Jacquesson's "Cuvée 735". So, is there a new kid in town?
It's not a typo (my auto-correct feature suggests "Riesling" instead), I haven't had too much to drink (sadly), it's not a new marketing term (as you probably are not sure how to pronounce the full name of this beauty you may have figured this out on your own) --- Rieslaner is indeed yet another of those German grape varieties you may have never heard of. You don't have to be too confused though, as Riesling was in fact one of its parents. I'd like to think Riesling was the father, whereas the Silvaner grape surely must be the mother, but I am probably falling for half a dozen sexist clichés here. However, one cliché is true: this German wine is sweet indeed. Very sweet. And delightful!
So let me introduce you to the child of my two favourite German grape varieties, a bright and fun kid that just doesn't like to travel much from home.
Sometimes Burgundy is not in France. Well, technically it might still be in France, for all I know, but metaphysically speaking I believe Burgundy is also a state of wine that can travel - and like the holy spirit of wine it can come down elsewhere and turn red wine into true Pinot Noir. Some of you heathens will now think of Oregon, New Zealand or California, but I have seen it happen in one of the more unlikely places on earth: the cool climate Mosel.
Yes, the Mosel makes Pinot Noir that can rival Burgundy. There may not be much of it, but I think of one man in particular, driven by faith in his vines: Markus Molitor.
If you want to test the German wine savvy of your knowledgeable friends, here's a little experiment you can conduct in the safety of your own living room. Tell them you want them to taste a German rosé, and inform them that it will be off-dry, well over ten years old, and come with a label sporting a coat of arms and cryptic Germanic font. Mention in passing that this bottle will come from the Müller-Catoir winery. 95 per cent of all wine drinkers will at this point have run away screaming, the living daylights scared out of them.
The remaining 5 % will ask for a screwpull without further ado. From then on, listen to those people.
We got drunk on that stuff as students because we didn't know any better and had no money. That is not what I would say, at least not in public, but it summarises how many British acquaintances refer to German wine - in particular the dreaded Liebfraumilch. German wine is associated with sweet, and sweet with bad. The British wine trade tend to love Riesling, dry or sweet, and some also appreciate German Pinot Noir. This is usually where the knowledge ends though. There are even "wine experts" who say Germany should not move away from the sweeter style of Riesling - whereas the reality is that the German wine industry has become so diverse it has long gone beyond that. German dry wines are now so varied as would confuse even the most sober foreign beholder.
Last week the German Wine Agencies, a new distributor of German wines in the British market, invited members of the trade to be confused (and to leave everything else but sober, one would hope) by German wines.
Swabian Muscat, anyone? There's no doubt that solid old Swabia (that's "Württemberg" for you, in wine label terms) can do much: She can do somewhat dubious specialties like Trollinger and Samtrot, harmlessly light regional reds, but then she can also come out with powerful Rieslings and surprisingly high-brow Lembergers and Pinot Noirs. But dry Muscat, that feathery-light, elderflower whiff of springtime? Let's just say it takes a certain leap of faith. To be honest, if this offering had not come from Kistenmacher & Hengerer, an up-and-coming winery that has recently impressed us with the seriousness of their old-vines Lemberger, we might not have given it a chance either.
Have they actually pulled it off?
Wine blogging has its dangers. Fame can change a man, after all. Just joking. I mean it can add certain slight, and mostly pleasurable, pressures to your drinking habits. Instead of just going for what you know and like, you can feel that your wine choices should become a little more wide-ranging and interesting, to give people something new to read about besides the same old turf. So sometimes, it gets close to becoming a battle between the wines you feel like drinking and those you tell yourself you ought to be drinking - as in "I should explore more reds from northern Italy" or "I should be doing something for my asinine Burgundy project". In some happy cases, though, the conscious effort to explore a region turns into familiarity and something like love along the way. This has happened to me, or rather keeps happening to me, in the case of Chenin Blanc from the Loire.
We have all been there. You meet someone. At a wine bar, a pub, a club. They look nice, approachable. You talk a little and it goes easy, very easy. Almost too easy - you realise: a smooth operator. Now you should be careful, but somehow it feels good. Until disappointment finds you at last. However, as you get older, more experienced, you learn to spot them before it is too late: pleasant surface, charming, very smooth - but shallow and hollow, a disappointment. You are now a grown-up, and you won't fall for that trick.
I am a grown-up, and I won't fall for that trick. Or will I?
For many years I have been a happy and loyal Dell customer, using Dell machines at home and at work. Those were the days when my Dell PCs were trusty. Those were the days when I associated Dell with good service. Those were the days when I recommended Dell to friends, colleagues and contacts. Well, those good old times are over as the Dell I bought last summer is still not working properly, and more importantly as Dell have stopped responding to my emails.
This is not a wine-related topic, but as three Dell computers were used to initially build and now to maintain the Wine Rambler I have decided to ramble about how a small problem was made big by a service failure.
Arson, sieges, war - not really the first words that would come to mind when thinking about wine: or a mill. And yet such events feature prominently in the long history of the Steinmühle (stone mill) winery in Rheinhessen. Since the Middle Ages, the mill in Osthofen has been burnt down a few times, and yet there it still stands. And it is still in the hands of the same winemaking family, for eleven generations now.
I did not know that when I was handed a bottle of their 2010 Sylvaner (the date 1275 on the label could have been a hint) - but then wine should mostly be about the enjoyment and the history lesson just a good swashbuckling story to be told after the second or third glass.
When touring the Mosel in 2008, we visited, amongst other places, a village called Leiwen. It was chosen for very practical reasons, as the wide and comfortable cycle paths along the river lead right past it, but more importantly for bacchanal reasons as it is the home of the St. Urbans-Hof winery. Small by New World standards, the 33ha vineyard area owned by the Weis family actually make the estate one of giants of the Mosel/Saar region and they include sections of several prestigious vineyards.
One of them is the Bockstein, near the village of Ockfen at the Saar river. There was no time to visit Ockfen in 2008, and until that can be remedied I will have to make due with enjoying the odd bottle of Ockfener Bockstein Riesling.
This humble review is actually a double tribute. First, to wines that don't dazzle the nose or titillate the palate so much as enable food to shine by their ready availability, selfless service and smooth background operation. We Germans call them "bread and butter-wines". The kind of wine that you buy by the case and whose steady supply you take for granted, so much that it is only with the final bottle that you get round to properly appreciate (and review) it. Because of that, this is also a tribute to that specially cherished sixth bottle.
So here's to the very last taste of Heiner Sauer's more-than-serviceable 2009 Pfalz Pinot Blanc that I will ever have: