Mosel

When you speak about the Mosel valley in a wine context, chances are that Riesling will be the topic. On occasion though I feel the need to raise my hand and confuse both class and teacher by saying: 'and what about Pinot Noir?' Yes, you have heard correctly, for me the Mosel can also be Spätburgunder (the German name of the variety) territory, at least as far as Markus Molitor is concerned. It must have been around early 2007 when I bought my first Spätburgunder from Molitor, and I have been a fan ever since. A few days ago the time had come to open the last of the 2001 and find out how well it had stood the test of time.

It was in the late eighties that Molitor planted Pinot Noir in some if his vineyards, including the ones near Graach, an area where even today Riesling is grown pretty much exclusively.

New York City is hipster territory - or at least that is the message it is trying very hard to project during my current visit. Interestingly, most things German do seem to be considered hip, especially German beer culture. The Lower East Side for instance welcomed me with German brass music, schnitzel and beer served by busty wenches dressed in pseudo Bavarian outfits. German Riesling, it turns out, is also very popular among the cool wine kids here, so it was quite fitting I brought one over to share with my host: a late harvest Riesling made by one of my favourite producers at the Mosel, Theo Haart. Usually, I would have opted for a Haart Riesling from one of the famous vineyards such as Piesporter Goldtröpfchen, but a few years ago I came across this late harvest from several vineyards around Piesport, which to me seemed almost more interesting than some of the wines from the top sites. Did it hold up as well as Haart's premier wines though, I wondered, or were we in for a disappointment?

Weinhof Herrenberg is Claudia and Manfred Loch's place, a tiny winery with just two hectares in Schoden on the River Saar that they have built up more or less from scratch, plot by plot, and with somewhat precarious resources. This is a very different history from the Van Volxem enterprise, which came with heavy investment, grander plans and more ambitious marketing from day one. Still, both outfits share some similarities. Both were willing to look beyond the winemaking traditions of the last few decades. Both managed to create a new kind of Saar Riesling that was actually a recreation of the pre-1950s style: Ripe wines with more powerful fruit and less prominent acidity than has been, and still is, "traditional" on the Saar. With their enthusiasm and nonconformism they have, between them, managed to break open the wine scene on this Mosel tributary, which had been dominated by an establishment of aristoricatic estates with a somewhat patrician attitude. High time we had a closer look at what Herrenberg has to offer, then, and we'll start with one of their mid-range dryish Riesling (they only make Riesling):

Mosel Riesling, the embodiment of German wine - at least in foreign perception. Readers of the Wine Rambler will not have to be told that there is so much more to German wine than Mosel Riesling. Still, every so often reminding everyone of the fantastic wines that come out of this area cannot hurt. One of our favourite producers at the Mosel is Markus Molitor (who also makes fantastic Pinot Noir). And one of the best Molitor wines I have had is, no, it is not one of the prestigious Auslese or Trockenbeerenauslese wines, it is a 'Qualitätswein'. These quality wines are somewhere in the middle of the German classification system - but don't let these bureaucratic details fool you. You are looking at pure awesome, and at amazing value too.

You have never heard the name 'Scharzhofberg' before? Well, take a pen (or a keyboard) and write it down. Scharzhofberg is the name of a German vineyard, located near the Saar river (close to the Mosel). There are of course many vineyards in Germany, but Scharzhofberg has an excellent reputation and may be one of the most expensive bits of real estate in German winemaking - if you could buy land there, as producers jealously guard every square meter they own. Land rarely changes hands there, but the Van Volxem estate is lucky enough to own a small part of the 28 hectare vineyard. So let's have a look at what they can do with it, shall we?

It may not be a polite subject, but there's no dancing around the issue: Deep-dyed mosel Rieslings from slate soils can give off a bit of an odour. You expect a bit of a mosel funk, you appreciate a bit of a mosel funk, yet in my humble mosel experience so far, here's the undisputed sultan of stink: Andreas Adams's Kabinett gives you your petrol spill, your car dealership, but throw in used motor oil, a sulphur spring and some rotten eggs, and you're getting closer. Very distinctive, if you like this kind of thing. And I certainly do. Beneath the stink, or maybe it's better to stay borne on the stink, are ripe apricots, deep stony minerality and a whiff of caramel. The fruit is really subdued at this stage of early maturity, the acidity is not much of a presence either, and it's really the hard-core slate minerality that is the blood and bones of this ultra-trad Kabinett.

The 'Haart' in the Riesling with the funny name 'Haart to Heart' is not a spelling mistake. In fact, it comes from the Haart winery, who make some of our favourite sweet Mosel Riesling. It also seems they like a good pun, at least if it comes to labelling their basic Riesling. The 'Heart to Haart' is the only Haart wine that comes with a screw cap and without the 'eagle logo' of the VdP, the elite club of German wine makers, that is proudly displayed on all other Haart bottles. This is because in some years at least part of the grapes for the Haart to Heart are sourced from other growers, but this does not appear to have been the case for a while now. So, as far as the Haart winery is concerned it does not get more basic than this. How basic is basic?