February 2011

Over the past few years I have reviewed quite a few Haart Rieslings, and for this reason I had considered scaling down for a while (with the writing, not the drinking of course) in order not to bore you. It's good I did not make it into a New Year's resolution though, as the latest Haart I opened was so stunning I honestly cannot remember having had a young Mosel late harvest Riesling of this quality.

By covering a selection of sparkling wines from Germany and England during the last year or so, we have learned much and have opened up a whole new category of wine for ourselves, but in a way, we also got ahead of ourselves. We could look at sparklers with a fresh and innocent eye by simply ignoring the international benchmark for this whole type of wine, but it was at times also so much dancing around the elephant in the room, namely our utter ignorance of Champagne. On new year's eve of 2010, the Munich branch of the wine rambler manned (and ladied) up and confronted their insecurity. After all, let's face it, when expectation and curiosity are high, the potential for disappointment is also immense. But sometimes, just sometimes, you hit if off immediately. That night, I fell for grower champagne hook, line and sinker, and it's all thanks to Pierre and Sophie Larmandier from Vertus, Champagne.

You haven't heard of Gelber Orleans? Not even a vague idea what it might be? Despair not, it is hardly a well known grape variety. In fact, it has become so obscure - even in Germany - that when I recently invited a well versed wine blogger over to try it I was confident she would not be able to identify it.

When serving the wine I made sure that the only thing she might have caught a glimpse on was the name and logo of the winery - identifying the producer as Knipser, one of the most accomplished in Germany. So, gentle reader, explore a wine with us which you will most certainly not have experienced before.

What the **** is Müller-Thurgau, and is it ever any good, we asked, respectfully, last summer in our in-depth Müller-Thurgau coverage. We did manage to answer the question to our own satisfaction at the time, if maybe not to everybody's, and a young winemaker named Christian Stahl played no small part in that particular journey. Neither the grape nor the man therefore need much of an introduction to our readers.

But there is some unfinished business dating back to that investigation in the form of this bottle of single vineyard Müller-Thurgau. So let's waste no more time:

"This monstrosity tastes monstrously good." - This is what Imperial Chancellor Otto von Bismarck had to say about a wine from the Ungeheuer vineyard. "Ungeheuer" is the German word for "monstrosity", and it is also the name of a famous vineyard in the Pfalz region. It is about time for us to review an Ungeheuer wine, and today we are looking at the premier dry (GG) Riesling from Mosbacher - one of the top Pfalz wineries.

"Premier", "top", "monstrously good" - can the wine stand up to all this praise or were the Wine Rambler and good old Bismarck (posthumously) left disappointed?

In the early 20th century the Germans embarked on a mission to create a genetically modified race of - no, not über-soldiers, but grape varieties. They were also not so much genetically modified as traditionally cross-bred, but the idea was to create varieties that could handle bad weather better, were robuster or addressed some other actual or perceived flaws in existing varieties. Scheurebe ("Scheu's vine") was created in 1916 and was for a long time thought to be a cross between Silvaner and Riesling, but has only recently been revealed to be a cross between Riesling and a wild vine.

Aromatic and with some similarities to Riesling, Scheurebe is often used to create complex sweet wines, and - while not exactly grown on large scale - is increasingly popular with some of Germany's top winemakers.

This wine is fake. Well, a little. If you understand German, that is - otherwise you wouldn't know that "Fass 4" stands for "Barrel 4". Years ago, wines sold under this label were indeed matured in large wooden barrels, but these times are gone at the Ott winery, and now it is all steel tanks for "Barrel 4".

And out of the tanks at Wagram comes a Grüner Veltliner, Austria's signature white wine, and Bernhard Ott's speciality. Does the wine also taste "fake" - or let's rather call it "historical homage"?