Riesling

Sometimes before going to bed I browse the websites of wine merchants and dream what I could order if only I had a proper wine cellar store wine long term (or, depending on the wine, a larger purchasing budget). During one of those sessions I came across a wine that seemed like the ideal solution to both problems: at over ten years of age it would not need more cellaring and at €9 it would not put a strain on my budget - considering the age it was a bargain.

I had heard of the Lucashof winery before, so I was curious to find out what one of their aged dry Rieslings (and from a well-know vineyard) would taste like.

I'm always honoured when people who have stumbled onto this blog contact us for expertise on German wine, even while I find myself guiltily hoping that we are not the only source that they rely on, given the patchiness and dabbling character of this our whole undertaking. But here is a piece of advice that I guarantee you will not regret following: When looking for mature-ish Mosel Riesling in great drinking condition, look no further than the 2002 vintage, underrated in many quarters, but in my humble experience as safe a bet for lively, nuanced wines as you are going to find.

Martin Müllen's 2002 Kabinett from the aptly named Paradies ("paradise") vineyard is a case in point. Over and beyond being a minor classic of the neo-traditional style of Mosel winemaking (whatever the hell that is supposed to be), it also has a long and distinguished history in this Wine Rambler's cellar, being one of the very first wines ordered directly from the producer. And I'm happy to report it has never before tasted this good:

In our quest for interesting wine, we have ventured as far east of Germany as to Georgia, but we never have explored what the German East has to offer. Now it is time to make good on one of our new year's resolutions and try a wine from Saxony. North of the 51st parallel, Sachsen is Europe's north-easternmost wine growing region, and with about 500 ha of vines it is one of Germany's smallest. A fifth of the Saxonian vineyard area belongs to the zur Lippes, one of the oldest aristocratic families of Germany.

After the wall came down, the current prince zur Lippe, Georg, started buying back his family's property that was lost after the Second World War, and now he runs the largest privately owned winery in the German East. We had tried a few of his wines at tastings in the past, but the dry 2009 Riesling here is the first to undergo the rigorous testing at Wine Rambler HQ.

Usually, if you want to drink aged wine it involves a cellar, a good idea which wines are worth putting away and some kind of idea when you should open them. And then perhaps a decade of doing nothing. Or it may involve spending a lot of money buying an aged wine from a merchant. Sometimes you are lucky though and come across a wine that both looks the right age and is reasonably priced. Today's find is one of them, a ten year old Riesling from a good vineyard site, made by an excellent producer, and sold for less than 15 Euro.

Looking back over the last few weeks of wine rambling, I realise it has been a little while since we have reviewed a dry Riesling. As certain standards need to be upheld (and the world reminded that Germany defines itself more and more about dry), a bottle of dry German Riesling was uncovered from my wardrobe cellar.

As it happens, it was a dry Mosel Riesling, made by winemaker revolutionary Reinhard Löwenstein.

The Schloss Lieser estate, dear readers, is the one winery that has had more of their bottles consumed chez Mr. Munich Wine Rambler than any other I've never told you about (except very briefly here). Admittedly, this also involves an order I placed twice in considerable confusion, but mostly, it is because Ute and Thomas Haag have been offering arguably the most consistent value in fruity and sweet Riesling for the last seven or eight years. Thomas Haag is known to Mosel afficionados as the son of Wilhelm Haag from the Fritz Haag estate, wine being a family affair in that part of the country. The 2005 Kabinett from the iconic Brauneberger Juffer Sonnenuhr vineyard was the first of their wines I ever got to taste, four or five years ago.

So how has it been holding up?

Even Wine Ramblers do have a birthday. Just recently, it was the birthday of THE Wine Rambler and also of my co-Rambler Julian. My birthday is already a few months past, but there is still something to report on: When I met our Munich branch as part of my birthday celebrations, I found myself presented with a special gift.

Co-Rambler Julian likes to hunt for aged wines on eBay (great if you are in Germany, imppossile in the UK because of legal restrictions), and for my birthday he managed to find a bottle of a suitably aged Riesling from a Mosel winery that has my personal seal of approval.

Abroad Germany is mostly know for its delicious sweeter Riesling, but at home it is the top dry Rieslings that get most media attention. They are labelled as "Großes Gewächs" (great growth) or, in the Rheingau, as "Erstes Gewächs" (first growth), at least for the wineries that are members of the growers associations that created these classifications. Quality standards are relatively strict and include low yields, selective harvesting by hand and using only grapes from individual, certified top vineyards.

The price for these grand cru wines is constantly going up, so if you find one from a top producer such as Künstler for less than 20 Euro it is lucky times.

"Gold, gold, gold - molten gold flowing into our glasses." That was the impression Markus Molitor's late harvest Riesling had left when I first tried it in the summer of 2008. Now, opening my last bottle, I had the same, most pleasant sensation, just enhanced with a little more wisdom of age (the wine I mean, certainly not me).

Late harvest (Spätlese) Riesling from the Mosel to me is one of the most exciting manifestations of wine, ideally light, elegant, full of character and with the right dosage of residual sugar to tempt you for yet another glass without cloying you with too much sweetness.

If there was a branch of wine journalism that reviewed wines on the merits of their labels alone, then, for my money at least, the delightfully old-fashioned classics from this great Ruwer estate would be hard to beat. Now, the good news is not just that the Wine Rambler, for one, will not give up on sampling the contents of wine bottles as well.

More to the point, the good news is that the stylishness of this particular wine now before us does ample justice to the lovingly crafted quality of the packaging: